Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    187 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    337 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Set in a landscape, Adonis watching Venu"9 records

Institutions answered newest-first by record, interleaved

The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer by Bernard van Orley, The Metropolitan Museum of Art

The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer

Bernard van Orley (d. 1542)

ca. 1515 · Wool, silk (16-20 warps per inch, 6-8 per cm.)

Cleared · Public Domain

live
The MetSimilar
Tea tray (Plateau) by The Muses Master, The Metropolitan Museum of Art

Tea tray (Plateau)

The Muses Master (d. 1800)

ca. 1750–60 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Mantel clock with alarm by Franz Xavier Gegenreiner, The Metropolitan Museum of Art

Mantel clock with alarm

Franz Xavier Gegenreiner (d. 1770)

case ca. 1710, movement ca. 1760–70 · Case: tortoiseshell backed with brass leaf, pearwood veneered with rosewood; and partly gilded silver; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Venus and Adonis by Francesco Bartolozzi, The Metropolitan Museum of Art

Venus and Adonis

Francesco Bartolozzi (d. 1815)

August 21, 1778 · Etching and stipple engraving, printed in reddish brown ink

Cleared · Public Domain

live
The MetSimilar
Design for the Fontana di Venere e Adone, Reggia di Caserta, Naples by Fedele Fischetti, The Metropolitan Museum of Art

Design for the Fontana di Venere e Adone, Reggia di Caserta, Naples

Fedele Fischetti (d. 1792)

ca. 1780 · Pen and black ink, gray wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Venus mourning Adonis, seated beneath a tree and embracing him, with Cupid at left by Anonymous, The Metropolitan Museum of Art

Venus mourning Adonis, seated beneath a tree and embracing him, with Cupid at left

Anonymous

1810–20 · Etching and stipple

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Set in a landscape, Adonis watching Venus sleeping at the right while cupids play in the background

Benoit Audran the Elder (d. 1721)

ca. 1698–1710 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Set in a landscape, Venus reclining at the left alongside Vulcan while at right cupids forge arrows for the conquest of Adonis

Benoit Audran the Elder (d. 1721)

ca. 1698–1710 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.