Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2318 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 145 matching records exist across the two collections.

Results for "Set of Five Writing Boxes with Japanese"12 records

Institutions answered newest-first by record, interleaved

Panels of a writing board by an unrecorded maker, The Metropolitan Museum of Art

Panels of a writing board

Unrecorded maker

ca. 721–705 BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Writing Table (Bundai) with Melons and Squirrels by an unrecorded maker, The Metropolitan Museum of Art

Writing Table (Bundai) with Melons and Squirrels

Unrecorded maker

first half 17th century · Lacquered wood with gold hiramaki-e and e-nashiji (“pear-skin picture”) on black lacquer ground

Cleared · Public Domain

live
The MetSimilar
Writing Desk (Bundai) with Landscape and Geese by an unrecorded maker, The Metropolitan Museum of Art

Writing Desk (Bundai) with Landscape and Geese

Unrecorded maker

17th century · Lacquered wood with gold and silver takamaki-e and hiramaki-e, cutout gold- and silver-foil application

Cleared · Public Domain

live
The MetSimilar
Set of Knife Handles (Kozuka) with Emblems of the Five Seasonal Festivals by Gotō Kenjō, The Metropolitan Museum of Art

Set of Knife Handles (Kozuka) with Emblems of the Five Seasonal Festivals

Gotō Kenjō (d. 1663)

late 16th–early 18th century · Copper-gold alloy (shakudō), gold, silver, copper

Cleared · Public Domain

live
The MetSimilar
Set of hexagonal stacked boxes by an unrecorded maker, The Metropolitan Museum of Art

Set of hexagonal stacked boxes

Unrecorded maker

18th century · Black lacquer with mother-of-pearl inlay

Cleared · Public Domain

live
The MetSimilar
Set of Five Writing Boxes with Japanese Globeflowers, Plum Blossoms, and Interlaced Roundels by an unrecorded maker, The Metropolitan Museum of Art

Set of Five Writing Boxes with Japanese Globeflowers, Plum Blossoms, and Interlaced Roundels

Unrecorded maker

late 18th–early 19th century · Lacquered wood with gold and silver hiramaki-e and applied gold foil on nashiji ground

Cleared · Public Domain

live
The MetSimilar
Writing Box (Suzuribako) with Woodcutter by Hon'ami Kōetsu, The Metropolitan Museum of Art

Writing Box (Suzuribako) with Woodcutter

Hon'ami Kōetsu (d. 1637)

18th or early 19th century · Gold maki-e on black lacquer with mother-of-pearl inlay

Cleared · Public Domain

live
The MetSimilar
Writing Box (Suzuribako) with Screen, Robe Rack, and Shell-Matching Game Set by an unrecorded maker, The Metropolitan Museum of Art

Writing Box (Suzuribako) with Screen, Robe Rack, and Shell-Matching Game Set

Unrecorded maker

second half of the 19th century · Lacquered wood with gold, silver takamaki-e, hiramaki-e, togidashimaki-e, red lacquer on black ground

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Set of ten writing boxes with seasonal designs

Uematsu Hōbi (d. 1933)

early 20th century · Lacquered wood with gold, silver takamaki-e, hiramaki-e, togidashimaki-e, cut-out gold and silver application

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Writing Box (Suzuribako) and Writing Table (Bundai) with Pines at Takasago and Sumiyoshi

Yukio Yukio II (d. 1929)

early 20th century · Lacquered wood with gold, silver takamaki-e, hiramaki-e, cut-out gold foil on nashiji ground, silver inlay, silver fittings

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inkstone Box (Suzuribako) and Document Box (Ryōshibako)

Iizuka Hōsai II (d. 1934)

1923 · Timber bamboo, rattan, lacquer, and gold powder

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Writing box (Suzuribako) with Ginkgo Leaves

Murose Kazumi (d. 9999)

2015 · Lacquered wood with gold and silver togidashimaki-e, hiramaki-e and mother-of-pearl inlay

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.