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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    371 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    267 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 405 matching records exist across the two collections.

Results for "Seven Sequences of the Movement of the T"12 records

Institutions answered newest-first by record, interleaved

[Boys Playing Leap Frog] by Eadweard Muybridge, The Metropolitan Museum of Art

[Boys Playing Leap Frog]

Eadweard Muybridge (d. 1904)

1883–86, printed 1887 · Collotype

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Astrologia, from "The Seven Liberal Arts"

Sebald Beham (d. 1550)

1515–50 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grammatica, from "The Seven Liberal Arts"

Sebald Beham (d. 1550)

1515–50 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grammatica, from "The Seven Liberal Arts"

Anonymous

16th century · Engraving; reverse copy

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rhetorica, from "The Seven Liberal Arts"

Anonymous

16th century · Engraving, in reverse

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Bishops

Anonymous, British, 17th–18th century (d. 1800)

1688–1700 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Eurythmy, or Jump Over the Bauhaus

T. Lux Feininger (d. 2011)

1927 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ambivalent Sequences Post-Image

Julio Le Parc (d. 2026)

1959 · Gouache with graphite on board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nine Sequences of Translational Motion

Julio Le Parc (d. 2026)

1959 · Gouache with graphite on board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Quantitative Sequences

Julio Le Parc (d. 2026)

1959 · Black ink and gouache with graphite on board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sequence of Translational Motion

Julio Le Parc (d. 2026)

1959 · Gouache with graphite on board mounted on board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seven Sequences of the Movement of the Translational Motion of Red and Blue Segments

Julio Le Parc (d. 2026)

1959 · Gouache with graphite on board mounted on board

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.