![[Boys Playing Leap Frog] by Eadweard Muybridge, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP263584.jpg)
[Boys Playing Leap Frog]
Eadweard Muybridge (d. 1904)
1883–86, printed 1887 · Collotype
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
371 ms. The Metropolitan Museum of Art, Collection API (Open Access)
267 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 405 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![[Boys Playing Leap Frog] by Eadweard Muybridge, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP263584.jpg)
[Boys Playing Leap Frog]
Eadweard Muybridge (d. 1904)
1883–86, printed 1887 · Collotype
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Astrologia, from "The Seven Liberal Arts"
Sebald Beham (d. 1550)
1515–50 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grammatica, from "The Seven Liberal Arts"
Sebald Beham (d. 1550)
1515–50 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grammatica, from "The Seven Liberal Arts"
Anonymous
16th century · Engraving; reverse copy
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rhetorica, from "The Seven Liberal Arts"
Anonymous
16th century · Engraving, in reverse
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Seven Bishops
Anonymous, British, 17th–18th century (d. 1800)
1688–1700 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eurythmy, or Jump Over the Bauhaus
T. Lux Feininger (d. 2011)
1927 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ambivalent Sequences Post-Image
Julio Le Parc (d. 2026)
1959 · Gouache with graphite on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nine Sequences of Translational Motion
Julio Le Parc (d. 2026)
1959 · Gouache with graphite on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quantitative Sequences
Julio Le Parc (d. 2026)
1959 · Black ink and gouache with graphite on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sequence of Translational Motion
Julio Le Parc (d. 2026)
1959 · Gouache with graphite on board mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seven Sequences of the Movement of the Translational Motion of Red and Blue Segments
Julio Le Parc (d. 2026)
1959 · Gouache with graphite on board mounted on board
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.