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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    242 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    6 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,211 matching records exist across the two collections.

Results for "Seven gold rosettes"12 records

Institutions answered newest-first by record, interleaved

Rosettes of Senebtisi by an unrecorded maker, The Metropolitan Museum of Art

Rosettes of Senebtisi

Unrecorded maker

ca. 1859–1770 B.C. · Gold

Cleared · Public Domain

live
The MetSimilar
Gold mouth plate with rosettes by an unrecorded maker, The Metropolitan Museum of Art

Gold mouth plate with rosettes

Unrecorded maker

ca. 1450–1200 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Electrum earring with lobes and rosettes by an unrecorded maker, The Metropolitan Museum of Art

Electrum earring with lobes and rosettes

Unrecorded maker

6th century BCE · Electrum

Cleared · Public Domain

live
The MetSimilar
Gold rosette attachments by an unrecorded maker, The Metropolitan Museum of Art

Gold rosette attachments

Unrecorded maker

ca. 5th century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Set of jewelry by an unrecorded maker, The Metropolitan Museum of Art

Set of jewelry

Unrecorded maker

ca. 330–300 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Seven gold rosettes by an unrecorded maker, The Metropolitan Museum of Art

Seven gold rosettes

Unrecorded maker

ca. 330–300 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Gold diadem by an unrecorded maker, The Metropolitan Museum of Art

Gold diadem

Unrecorded maker

3rd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Gold wreath by an unrecorded maker, The Metropolitan Museum of Art

Gold wreath

Unrecorded maker

4th–3rd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Seven Hammered Gold Strips by an unrecorded maker, The Metropolitan Museum of Art

Seven Hammered Gold Strips

Unrecorded maker

200–900 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Rosettes by an unrecorded maker, The Metropolitan Museum of Art

Rosettes

Unrecorded maker

907 · Gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ensemble of Rosettes

Unrecorded maker

ca. 1479–1425 BCE · Gold, gesso, carnelian, jasper, transparent crizzled glass, opaque turquoise glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rosettes

Unrecorded maker

ca. 1479–1425 BCE · Gold, gesso, carnelian, jasper, glass

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.