
Plate Depicting a Female Figure Riding a Fantastic Winged Beast
Unrecorded maker
probably 8th century · Silver; gilded, chased, and engraved, with applied elements
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2190 ms. The Metropolitan Museum of Art, Collection API (Open Access)
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 484 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate Depicting a Female Figure Riding a Fantastic Winged Beast
Unrecorded maker
probably 8th century · Silver; gilded, chased, and engraved, with applied elements
Cleared · Public Domain
live
Plaque with Scenes from the Story of Joshua
Unrecorded maker
900–1000 · Elephant ivory, traces of polychromy, gilding; bone (border strips)
Cleared · Public Domain
live
Plaques with Scenes from the Story of Joshua
Unrecorded maker
900–1000 · Ivory, traces of polychromy, gilding; bone (border strips)
Cleared · Public Domain
live
Designation of the Elect, plate 6 from "The Apocalypse"
Hans Burgkmair (d. 1531)
1523–24 · Woodcut
Cleared · Public Domain
live
The Clothing of the Elect, plate 4 from "The Apocalypse"
Hans Burgkmair (d. 1531)
1523–24 · Woodcut
Cleared · Public Domain
live
The Destroying Angels (fragment), plate 9 from "The Apocalypse"
Hans Burgkmair (d. 1531)
1523–24 · Woodcut
Cleared · Public Domain
live
The First Four Trombones, plate 7 from "The Apocalypse"
Hans Burgkmair (d. 1531)
1523–24 · Woodcut
Cleared · Public Domain
live
Odes of the State of Bin: The Seventh Month
Fei Qinghu (Fei Zhaoyang) (d. 1833)
late 18th–early 19th century · Album of twenty leaves; ink and color on silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 11: Deer Hunting with Falcon, from Hunting Scenes IV
Antonio Tempesta (d. 1630)
1586 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 7: Psalmus Deprofundis, from "Septem Psalmi Davidici" (Seven Psalms of David)
Melchior Model (d. 1608)
1608 · Engraving, gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fifth plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seventh plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.