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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    531 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 568 matching records exist across the two collections.

Results for "Shabti Box and Shabtis of Henettawy (C),"12 records

Institutions answered newest-first by record, interleaved

Shabti Box of Yuya by an unrecorded maker, The Metropolitan Museum of Art

Shabti Box of Yuya

Unrecorded maker

ca. 1386–1347 BCE · wood, paint

Cleared · Public Domain

live
The MetSimilar
Shabti box and shabtis of members of the Sennedjem family by an unrecorded maker, The Metropolitan Museum of Art

Shabti box and shabtis of members of the Sennedjem family

Unrecorded maker

ca. 1290–1224 BCE · Painted wood, limestone, and ink

Cleared · Public Domain

live
The MetSimilar
Shabti of the Divine Adoratrice, Henettawy by an unrecorded maker, The Metropolitan Museum of Art

Shabti of the Divine Adoratrice, Henettawy

Unrecorded maker

ca. 1080–1042 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Shabti Box and Shabtis of Gautsoshen by an unrecorded maker, The Metropolitan Museum of Art

Shabti Box and Shabtis of Gautsoshen

Unrecorded maker

ca. 1000–945 BCE · Faience, wood, clay seal

Cleared · Public Domain

live
The MetSimilar
Worker Shabti of Henettawy by an unrecorded maker, The Metropolitan Museum of Art

Worker Shabti of Henettawy

Unrecorded maker

ca. 990–970 BCE · Faience

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shabti Box and Shabtis of Djedmutesankh

Unrecorded maker

ca. 1000–945 BCE · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shabti Box and Shabtis of Djedmutesankh

Unrecorded maker

ca. 1000–945 BCE · Wood, faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shabti Box and Shabtis of Henettawy (C), Daughter of Isetemkheb

Unrecorded maker

ca. 990–970 BCE · Wood, whitewash, faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shabti Box and Shabtis of Henettawy B

Unrecorded maker

ca. 990–970 BCE · Sycomore and tamarisk wood (box), blue faience (shabtis)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shabti Box for inscribed for Henettawy, daughter of Isetemkheb

Unrecorded maker

ca. 990–970 BCE · Wood, whitewash, fiber, mud

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shabti Box of Henettawy (C), Daughter of Isetemkheb

Unrecorded maker

ca. 990–970 BCE · Wood, whitewash, fiber, mud

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shabti Box with Mud Seal and Shabtis of Henettawy (C), Daughter of Isetemkheb

Unrecorded maker

ca. 990–970 BCE · Wood, whitewash, mud, faience

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.