Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1391 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,227 matching records exist across the two collections.

Results for "Shabti of Sherinefer"12 records

Institutions answered newest-first by record, interleaved

Shabti of Sherinefer by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Sherinefer

Unrecorded maker

ca. 1300–1200 BCE · Steatite or serpentinite

Cleared · Public Domain

live
The MetSimilar
Shabti of Tjebure by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Tjebure

Unrecorded maker

ca. 1300–1200 BCE · Serpentinite

Cleared · Public Domain

live
The MetSimilar
Shabti by an unrecorded maker, The Metropolitan Museum of Art

Shabti

Unrecorded maker

ca. 1290–1224 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Shabti of Khabekhnet by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Khabekhnet

Unrecorded maker

ca. 1290–1224 BCE · Pottery, paint

Cleared · Public Domain

live
The MetSimilar
Shabti of Khabekhnet by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Khabekhnet

Unrecorded maker

ca. 1290–1224 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Shabti of Mose by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Mose

Unrecorded maker

ca. 1290–1224 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Shabti of Neferrenpet by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Neferrenpet

Unrecorded maker

ca. 1290–1224 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Shabti of Mentuemhat by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Mentuemhat

Unrecorded maker

690–610 BCE · Serpentinite

Cleared · Public Domain

live
The MetSimilar
Shabti of Djedhor by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Djedhor

Unrecorded maker

360–300 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Shabti of Djedhor by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Djedhor

Unrecorded maker

360–300 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Shabti of Djedhor by an unrecorded maker, The Metropolitan Museum of Art

Shabti of Djedhor

Unrecorded maker

360–300 BCE · Faience

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shabti of Peraemhab

Unrecorded maker

ca. 1200–1080 BCE · Faience

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.