Southern Landscape with Shepherds and Sheep; verso: Study of a Sheep's Head (?)
Simon van der Does (d. 1717)
1676 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
208 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
290 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,296 matching records exist across the two collections.
Results for "Sheep Washing on Long Island"12 records
Institutions answered newest-first by record, interleaved
A Shepherd under a Ruined Arch with the Farnese Hercules
Johannes Antiquus (d. 1750)
1726–50 · Black chalk, pen and gray and some brown ink, with gray wash; framing lines in black ink
Cleared · Public Domain
liveThe MetSimilar
Mary Sylvester
Joseph Blackburn (d. 1815)
1754 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Landscape with Resting Cavaliers and a Shepherd with his Flock
Nicolaas Aartman (d. 1793)
1728–93 · Pen and black ink, brush and gray wash over a sketch in black chalk
Cleared · Public Domain
liveThe MetSimilar
View of the Island of San Giacomo in Paludo
Francesco Tironi (d. 1797)
late 18th century · Pen and brown ink, gray wash
Cleared · Public Domain
liveThe MetSimilar
Derbyshire landscape
John Constable (d. 1837)
ca. 1801–2 · Brush and gray wash and graphite
Cleared · Public Domain
liveThe MetSimilar
Campo Santi Giovanni e Paolo, Looking Toward the Scuola di San Marco
Giacomo Guardi (d. 1835)
ca. 1804–28 · Pen and brown ink, brown-gray wash
Cleared · Public Domain
liveThe MetSimilar
Piazza San Marco, Looking toward the Basilica
Giacomo Guardi (d. 1835)
ca. 1804–28 · Pen and brown ink, gray wash
Cleared · Public Domain
liveThe MetSimilar
Piazza San Marco, Looking toward the Church of San Gemignano
Giacomo Guardi (d. 1835)
ca. 1804–28 · Pen and brown ink, gray wash
Cleared · Public Domain
liveThe MetSimilar
San Pietro di Castello
Giacomo Guardi (d. 1835)
ca. 1804–28 · Pen and brown ink, gray wash
Cleared · Public Domain
liveThe MetSimilar
Pines and Waves at Ryūtō (Ryūtō shōtō), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei)
Katsushika Hokusai (d. 1849)
ca. 1832 · Woodblock print; ink and color on paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sheep Washing on Long Island
August Barry (d. 1889)
ca. 1880 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.