
Sheet of Figure Studies and Ornamental Motifs (recto and verso)
Vincenzo Tamagni (d. 1530)
1520–30 · Pen and brown ink over leadpoint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
984 ms. The Metropolitan Museum of Art, Collection API (Open Access)
359 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 366 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Sheet of Figure Studies and Ornamental Motifs (recto and verso)
Vincenzo Tamagni (d. 1530)
1520–30 · Pen and brown ink over leadpoint
Cleared · Public Domain
live
Studies of a Gentian, Moth, Birds, Cats, Interlacing Motif, and Greek Frets (recto); Ornamental Studies with Figures (verso)
Giorgio di Giovanni ("Giorgio da Siena") (d. 1559)
1530–40 · Pen and two colors of brown ink, brush and watercolor over leadpoint or black chalk (recto); pen and light brown ink over leadpoint or black chalk (verso)
Cleared · Public Domain
live
Standing Female Figure and Ornamental Framework
Girolamo Mazzola Bedoli (d. 1570)
ca. 1547–53 · Pen and brown ink, brush and brown wash, over traces of black chalk; squared in black chalk
Cleared · Public Domain
live
Sheet of Figure Studies, Probably after the Antique (recto); Ornamental Designs (verso)
Girolamo da Carpi (Girolamo Sellari) (d. 1556)
1501–56 · Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso)
Cleared · Public Domain
live
Sketchbook Sheet of Ornamental Studies, (recto and verso)
Giovanni da Udine (Giovanni dei Ricamatori) (d. 1564)
1487–1564 · Pen and brown ink
Cleared · Public Domain
live
Nude Figure Studies (recto); Sheet of Figure Studies (verso)
Anonymous, Italian, 16th century (d. 1600)
16th century · Pen and brown ink
Cleared · Public Domain
live
Sheet of Male Figure Studies
Anonymous, French, 18th century (d. 1800)
18th century · Pen and black ink
Cleared · Public Domain
live
Sheet of studies with female figure kneeling and embracing standing figure
John Flaxman (d. 1826)
1775–1826 · Pen and black ink, brush and gray wash, graphite
Cleared · Public Domain
live
Sheet of figure studies: two studies of a reclining figure, and a seated figure holding a lyre (?)
Eugène Delacroix (d. 1863)
1863 · Graphite
Cleared · Public Domain
live
Sheet of figure studies
Narcisse-Virgile Diaz de la Peña (d. 1876)
19th century · Pen and brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Page of Sketches and Figure Studies
Unrecorded maker
early 18th century · Brush drawing on paper with pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sheet of Studies
Albert-Charles Lebourg (d. 1928)
1867 · Conte crayon heightened with white
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.