
Sheet of Sketches (recto and verso)
Théodore Géricault (d. 1824)
1819 · Drawing, pen and brown ink on ivory laid paper
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
359 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 24 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Sheet of Sketches (recto and verso)
Théodore Géricault (d. 1824)
1819 · Drawing, pen and brown ink on ivory laid paper
Cleared · CC0
live![Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto] by Paolo Veronese, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/1939.670/1939.670_web.jpg)
Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto]
Paolo Veronese (d. 1588)
c. 1570 · Drawing, pen and brown ink (iron gall) and brush and brown wash
Cleared · CC0
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Sheet of Sketches (recto)
Théodore Géricault (d. 1824)
1819 · Drawing, pen and ink
Cleared · CC0
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The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk, touched with white gouache
Cleared · CC0
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The Feast of Herod (recto)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk, touched with white gouache
Cleared · CC0
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Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
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Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso)
Perino del Vaga (d. 1547)
c. 1545/47 · Drawing, pen and brown ink (iron gall) and brush and brown wash; framing lines in gold paint
Cleared · CC0
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A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto); Three Sketches of Arches (verso)
Francesco Guardi (d. 1793)
1782 · Drawing, pen and brown ink with brush and brown wash
Cleared · CC0
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Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Michelangelo Buonarroti (d. 1564)
1510–11 · Drawing, red chalk over black chalk or charcoal
Cleared · CC0
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Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk
Cleared · CC0
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Theatre Scene (recto); Lingerie Boutique and Conversation (verso)
Gabriel de Saint-Aubin (d. 1780)
c. 1765–75 · Drawing, Pen and brown ink, black crayon and pink wash on laid paper (recto); pen and brown ink on laid paper (verso)
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.