A painting can be out of copyright and thephotograph of it can still be protected.

Sheet of Figure Studies and Ornamental Motifs (recto and verso)

Vincenzo Tamagni (d. 1530)

1520–30 · Pen and brown ink over leadpoint

Figure Studies for the Sistine Ceiling (verso)

Michelangelo Buonarroti (d. 1564)

1510–11 · Drawing, red chalk heightened with traces of white

Sheet of Figure Studies, Probably after the Antique (recto); Ornamental Designs (verso)

Girolamo da Carpi (Girolamo Sellari) (d. 1556)

1501–56 · Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso)

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

Michelangelo Buonarroti (d. 1564)

1510–11 · Drawing, red chalk over black chalk or charcoal

Nude Figure Studies (recto); Sheet of Figure Studies (verso)

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink

Sheet of Sketches (recto and verso)

Théodore Géricault (d. 1824)

1819 · Drawing, pen and brown ink on ivory laid paper

Sheet of Studies

Anthony van Dyck (d. 1641)

1621–27 · Pen and brown ink, brush and brown wash

Study for "The Romancer" (Le Conteur)

Jean-Antoine Watteau (d. 1721)

c. 1716 · Drawing, red chalk; red and black chalk (upper left figure)

Sheet with Figure Studies (double sided)

Pietro Novelli, called Il Monrealese (d. 1647)

17th century · Pen and brown ink

Four Studies of the Head of a Young Italian Woman

Edgar Degas (d. 1917)

1856 · Drawing, graphite

Sheet of Studies

Anonymous, Italian, 17th century (d. 1700)

17th century · Black chalk

Sheet of Sketches (recto)

Théodore Géricault (d. 1824)

1819 · Drawing, pen and ink