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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    289 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    491 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,956 matching records exist across the two collections.

Results for "Sheet with Four Designs for Relief Decor"12 records

Institutions answered newest-first by record, interleaved

Sheet with Four Designs for Relief Decorations on Arms: Two Large Hilts for a Sword and a Dagger, and  the Ornaments for the Tips of the Sheaths by Pierre Woeiriot de Bouzey II, The Metropolitan Museum of Art

Sheet with Four Designs for Relief Decorations on Arms: Two Large Hilts for a Sword and a Dagger, and the Ornaments for the Tips of the Sheaths

Pierre Woeiriot de Bouzey II (d. 1599)

ca. 1550–60 · Engraving

Cleared · Public Domain

live
The MetSimilar
Sheet with four borders with abstract designs by Anonymous, The Metropolitan Museum of Art

Sheet with four borders with abstract designs

Anonymous

19th century · Relief print (wood or metal)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sheet of one hundred and forty-four images for children

Anonymous, British, 19th century (d. 1900)

1800–1850 · Hand-colored woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for bracelets with pearls and stones

F. Mellerio Borgnis

ca. 1830–70 · Graphite heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for bracelets with scrolling motifs, leaves and pearls

F. Mellerio Borgnis

ca. 1830–70 · Graphite heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for bracelets with stylized flowers and leaves, ribbons and pearls

F. Mellerio Borgnis

ca. 1830–70 · Graphite heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for bracelets with stylized flowers and leaves, ribbons, and scrolling motifs

F. Mellerio Borgnis

ca. 1830–70 · Graphite heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for bracelets with stylized leaves and pearls

F. Mellerio Borgnis

ca. 1830–70 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for bracelets with stylized leaves, diamonds and pearls

F. Mellerio Borgnis

ca. 1830–70 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for bracelets with stylized leaves, pearls and stones

F. Mellerio Borgnis

ca. 1830–70 · Graphite heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for brooches with cartouches and monograms

F. Mellerio Borgnis

ca. 1830–70 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for Four Brooches with Dancing Female Figures and Floral Motifs

Anonymous, French, 19th century (d. 1900)

ca. 1900 · Graphite, pen and black ink, watercolor, and gouache on buff paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.