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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    288 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    636 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Shelling Beans, Argentelle"6 records

Institutions answered newest-first by record, interleaved

Stone Necklace with Shells and Beans by an unrecorded maker, The Metropolitan Museum of Art

Stone Necklace with Shells and Beans

Unrecorded maker

1st–5th century · Stone

Cleared · Public Domain

live
The MetSimilar
Plate 16: four street vendors from Madrid selling onions, beans, chairs, and crockery, from 'Los Gritos de Madrid' (The Cries of Madrid) by Miguel Gamborino, The Metropolitan Museum of Art

Plate 16: four street vendors from Madrid selling onions, beans, chairs, and crockery, from 'Los Gritos de Madrid' (The Cries of Madrid)

Miguel Gamborino (d. 1828)

1809–17 · Engraving with hand coloring

Cleared · Public Domain

live
The MetSimilar
Shelling Beans, Argentelle by Louis-Adolphe Humbert de Molard, The Metropolitan Museum of Art

Shelling Beans, Argentelle

Louis-Adolphe Humbert de Molard (d. 1874)

1851 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Malted Beans and Clams on a Red Tray by Hōyū, The Metropolitan Museum of Art

Malted Beans and Clams on a Red Tray

Hōyū (d. 1900)

1899 · Part of an album of woodblock prints (surimono); ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The New York Cries, in Rhyme

Samuel P. Brown (d. 1850)

ca. 1830 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Necklace

Elsa Peretti (d. 2021)

1973–74 · Sterling silver, enamel

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.