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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    367 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    293 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Shere Mill Pond, No. 2 (Large Plate)"9 records

Institutions answered newest-first by record, interleaved

Water Mill, part VII, plate 37 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Water Mill, part VII, plate 37 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

February 1, 1812 · Etching and mezzotint; first state of three (Finberg)

Cleared · Public Domain

live
The MetSimilar
Junction of the Sacandaga and Hudson Rivers (No. 2 of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

Junction of the Sacandaga and Hudson Rivers (No. 2 of The Hudson River Portfolio)

John Hill (d. 1850)

1821–22 · Aquatint printed in color with hand-coloring; first state of two

Cleared · Public Domain

live
The MetSimilar
Sampler by Emily Ann Kittredge, The Metropolitan Museum of Art

Sampler

Emily Ann Kittredge (d. 1905)

1826 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Bass Clarinet in B-flat by Giacinto Riva, The Metropolitan Museum of Art

Bass Clarinet in B-flat

Giacinto Riva (d. 1900)

mid-19th century · boxwood, ebony, nickel-silver

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shere Mill Pond, No. 1 (Small Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching and drypoint; trial proof a (Harrington); first state of five(Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shere Mill Pond, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching with drypoint; first (final) state (Harrington); fourth state of nine (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shere Mill Pond, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching; second state of two (Harrington); sixth state of nine (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shere Mill Pond, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching with drypoint; after trial proof a (Harrington); after first state of nine (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Jabez Hogg (d. 1899)

1886–91 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

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