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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    392 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    351 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Sibyl Reading with a Child Holding a Tor"9 records

Institutions answered newest-first by record, interleaved

Double-chambered bottle with effigy figures by Vicús artist(s), The Metropolitan Museum of Art

Double-chambered bottle with effigy figures

Vicús artist(s)

100 BCE–500 CE · Ceramic, pigment

Cleared · Public Domain

live
The MetSimilar
Jar, Ritual Scenes by an unrecorded maker, The Metropolitan Museum of Art

Jar, Ritual Scenes

Unrecorded maker

8th–9th century · Ceramic, slip, pigment

Cleared · Public Domain

live
The MetSimilar
Pendant of Saint Anthony of Padua by Kongo artist, The Metropolitan Museum of Art

Pendant of Saint Anthony of Padua

Kongo artist

18th century · Ivory (hippopotamus incisor)

Cleared · Public Domain

live
The MetSimilar
Pendant with Saint Anthony of Padua by Kongo artist, The Metropolitan Museum of Art

Pendant with Saint Anthony of Padua

Kongo artist

16th–19th century · Partially hollow cast brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Mason Jackson (d. 1903)

1865–70 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

William Biscombe Gardner (d. 1919)

1876–80 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Jabez Hogg (d. 1899)

1886–91 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.