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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    145 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    313 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 160 matching records exist across the two collections.

Results for "Signet ring"12 records

Institutions answered newest-first by record, interleaved

Signet ring by an unrecorded maker, The Metropolitan Museum of Art

Signet ring

Unrecorded maker

ca. 1347–1330 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Signet Ring by an unrecorded maker, The Cleveland Museum of Art

Signet Ring

Unrecorded maker

c. 1550–1600 · Jewelry, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Signet ring by an unrecorded maker, The Metropolitan Museum of Art

Signet ring

Unrecorded maker

ca. 1300–1080 BCE · Blue faience

Cleared · Public Domain

live
The MetSimilar
Finger Ring by an unrecorded maker, The Cleveland Museum of Art

Finger Ring

Unrecorded maker

300s BCE or later · Jewelry, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Signet ring by an unrecorded maker, The Metropolitan Museum of Art

Signet ring

Unrecorded maker

ca. 1080–721 BCE · Green jasper plaque on silver ring

Cleared · Public Domain

live
The MetSimilar
Peacock Ring by an unrecorded maker, The Cleveland Museum of Art

Peacock Ring

Unrecorded maker

1–200 CE · Jewelry, gold and chalcedony

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Signet ring by an unrecorded maker, The Metropolitan Museum of Art

Signet ring

Unrecorded maker

ca. 1080–721 BCE · Blue faience

Cleared · Public Domain

live
The MetSimilar
The prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night by an unrecorded maker, The Cleveland Museum of Art

The prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Signet ring by an unrecorded maker, The Metropolitan Museum of Art

Signet ring

Unrecorded maker

ca. 1080–721 BCE · Blue faience

Cleared · Public Domain

live
The MetSimilar
Signet ring by an unrecorded maker, The Metropolitan Museum of Art

Signet ring

Unrecorded maker

ca. 1080–721 BCE · Blue faience

Cleared · Public Domain

live
The MetSimilar
Signet ring by an unrecorded maker, The Metropolitan Museum of Art

Signet ring

Unrecorded maker

ca. 1080–721 BCE · Blue faience

Cleared · Public Domain

live
The MetSimilar
Signet Ring by Ball, Black & Co., The Metropolitan Museum of Art

Signet Ring

Ball, Black & Co. (d. 1874)

1864 · Gold and bloodstone

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.