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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    950 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    371 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 33 matching records exist across the two collections.

Results for "Simeon Kneels in Front of Mary and Jesus"12 records

Institutions answered newest-first by record, interleaved

Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Virgin and Child

Unrecorded maker

ca. 1270–1300 · Gilded copper on a wood core with champlevé enamel and gems

Cleared · Public Domain

live
The MetSimilar
Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by an unrecorded maker, The Cleveland Museum of Art

Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Unrecorded maker

1602–4 · Manuscript, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Scene from the Legend of the True Cross by an unrecorded maker, The Metropolitan Museum of Art

Scene from the Legend of the True Cross

Unrecorded maker

second half 14th century · Stone

Cleared · Public Domain

live
The MetSimilar
The Presentation of Christ in the Temple by Giovanni di Paolo (Giovanni di Paolo di Grazia), The Metropolitan Museum of Art

The Presentation of Christ in the Temple

Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)

ca. 1435 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with the Presentation in the Temple in an Initial S, from a Gradual by Cosmè Tura (Cosimo di Domenico di Bonaventura), The Metropolitan Museum of Art

Manuscript Illumination with the Presentation in the Temple in an Initial S, from a Gradual

Cosmè Tura (Cosimo di Domenico di Bonaventura) (d. 1495)

1450–60 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Embroidery with the Annunciation by an unrecorded maker, The Metropolitan Museum of Art

Embroidery with the Annunciation

Unrecorded maker

mid-15th century · Silk and metallic threads on linen

Cleared · Public Domain

live
The MetSimilar
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso) by Leonardo da Vinci, The Metropolitan Museum of Art

Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)

Leonardo da Vinci (d. 1519)

1480–85 · Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)

Cleared · Public Domain

live
The MetSimilar
Kneeling Virgin by Paolo Aquilano, The Metropolitan Museum of Art

Kneeling Virgin

Paolo Aquilano (d. 1503)

ca. 1475–1500 · Willow with paint and gilding

Cleared · Public Domain

live
The MetSimilar
Adoration of the Magi by Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft), The Metropolitan Museum of Art

Adoration of the Magi

Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft) (d. 1500)

1507 · Pot metal and colorless glass, vitreous paint, and silver stain

Cleared · Public Domain

live
The MetSimilar
The Lamentation by an unrecorded maker, The Metropolitan Museum of Art

The Lamentation

Unrecorded maker

ca. 1490–1505 · Wool warp, wool, silk, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
The Raising of Lazarus by Jan Muller, The Metropolitan Museum of Art

The Raising of Lazarus

Jan Muller (d. 1628)

ca. 1600 · Engraving; New Holl.'s second state of three

Cleared · Public Domain

live
The MetSimilar
The Virgin standing facing front and holding the infant Christ, angels behind them in the clouds by Anonymous, The Metropolitan Museum of Art

The Virgin standing facing front and holding the infant Christ, angels behind them in the clouds

Anonymous

ca. 1700–1800 · Etching

Cleared · Public Domain

live
The MetSimilar

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