Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    179 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Sir Joseph Banks and the Emperor of Moro"12 records

Institutions answered newest-first by record, interleaved

Sutra box with dragons amid clouds by an unrecorded maker, The Metropolitan Museum of Art

Sutra box with dragons amid clouds

Unrecorded maker

1424 · Red lacquer, incised decoration, gold inlay, damascened brass lock and key

Cleared · Public Domain

live
The MetSimilar
Sir Joseph Banks and the Emperor of Morocco by Thomas Rowlandson, The Metropolitan Museum of Art

Sir Joseph Banks and the Emperor of Morocco

Thomas Rowlandson (d. 1827)

1788 · Etching

Cleared · Public Domain

live
The MetSimilar
Engravings of the Principal Mosaic Pavements...in Various Parts of Great Britain, also...of Several Subjects in Stained Glass, Volume 1 by William Fowler, The Metropolitan Museum of Art

Engravings of the Principal Mosaic Pavements...in Various Parts of Great Britain, also...of Several Subjects in Stained Glass, Volume 1

William Fowler (d. 1832)

1804 · Hand-colored etching, engraving and aquatint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

XII Views in Aquatinta From Drawings Taken on the Spot in South Wales

Paul Sandby (d. 1809)

1775 · Etching and aquatint; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Collection of Portraits, Sketched from the Life Since the Year 1793...and engraved in imitation of original drawings, vol. 1

William Daniell (d. 1837)

1809 · Illustrations: etching and soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Antiquarian Society

George Cruikshank (d. 1878)

June 1, 1812 · Etching, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fine Arts of the English School

John Britton (d. 1857)

1812 · Illustrations: etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Collection of Portraits, Sketched from the Life Since the Year 1793...and engraved in imitation of Original Drawings, vol. 2

William Daniell (d. 1837)

1814 · Illustrations: etching and soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sketches Drawn from the Life, vol. 1

William Daniell (d. 1837)

1814 · Illustrations: etching and soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transactions of the Horticultural Society, London, vol. 1

Horticultural Society of London (d. 2100)

1815 (2nd ed.) · Illustrations: etching, stipple and aquatint, color-printing, and hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Century Gallery of 100 Portraits, Selected from The Century Magazine

The Century Company

1897 · Wood engraving and electrotype

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.