Chest with Coats of Arms
Unrecorded maker
early 16th century · Oak, iron mounts; top and base restored
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
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Where this page got its records
- The Metlive
388 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
359 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,406 matching records exist across the two collections.
Results for "Six Coats of Arms"12 records
Institutions answered newest-first by record, interleaved
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 137r, Coat of Arms of Charles the Noble
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Copy of John Frederic the Magnanimous, in Electoral Robes
Lucas Cranach the Younger and Workshop (d. 1586)
1586 · Woodcut; first state of two (Hollstein)
Cleared · Public Domain
liveThe MetSimilar
Hours of Charles the Noble, King of Navarre (1361-1425)
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Five Coats of Arms and a Horizontal Panel; Three Basic Coats of Arms
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink
In copyright
liveThe MetSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 192r, Descent from the Cross
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Six Basic Shapes for Coats of Arms
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink
In copyright
liveThe MetSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 82vr, Presentation in the Temple (Nones)
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Six Basic Shapes for Coats of Arms
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink
In copyright
liveThe MetSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 106v, Text
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Six Basic Shapes for Coats of Arms
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink
In copyright
liveThe MetSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 109v, Text
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
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