
Six Angels
Jacopo di Cione (d. 1400)
ca. 1365 · Tempera on wood, gold ground
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
367 ms. The Metropolitan Museum of Art, Collection API (Open Access)
365 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 65 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Six Angels
Jacopo di Cione (d. 1400)
ca. 1365 · Tempera on wood, gold ground
Cleared · Public Domain
live
The Triumph of Fame
Unrecorded maker
ca. 1502–4 · Wool, silk (6-7 warp threads per cm.)
Cleared · Public Domain
live
Triumph of Alexander
Pinturicchio (d. 1513)
ca. 1509 · Fresco, transferred to canvas and attached to wood panels
Cleared · Public Domain
live
Triumph of Amphitrite
Pinturicchio (d. 1513)
ca. 1509 · Fresco, transferred to canvas and attached to wood panels
Cleared · Public Domain
live
Triumph of Cybele
Pinturicchio (d. 1513)
ca. 1509 · Fresco, transferred to canvas and attached to wood panels
Cleared · Public Domain
live
Triumph of Mars
Pinturicchio (d. 1513)
ca. 1509 · Fresco, transferred to canvas and attached to wood panels
Cleared · Public Domain
live
Six Corinthian pilasters for the Triumph, from "The Triumph of Julius Caesar"
Andrea Andreani (d. 1629)
1598 · Chiaroscuro woodcut from two blocks in light brown ink
Cleared · Public Domain
live
The Triumph of the Word of God, from "Triumph of the Catholic Church" (oil sketch for a painting of the same subject)
Otto van Veen (d. 1629)
ca.1615–20 · Oil on paper, pen and brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Church Door (Porte d'Eglise), from Book of Portes Cocheres and Church Doors (Livre de Porte Cochere, et Porte d'Église...), Plate 2
G. Feuillet (d. 1675)
ca. 1675 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Series of Twelve Cartouches
Agostino (Stanzani) Mitelli (d. 1660)
1646–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Escallier de la Maison Roÿalle de Lóo, from Nouveaux Liure de Pintures de Salles et d'Escalliers, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Petit Coté de l'Escallier de Voorts, from Nouveaux Liure de Pintures de Salles et d'Escalliers, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.