
Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand
Giovanni Jacopo Caraglio (d. 1565)
ca. 1520–39 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
485 ms. The Metropolitan Museum of Art, Collection API (Open Access)
464 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 168 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand
Giovanni Jacopo Caraglio (d. 1565)
ca. 1520–39 · Engraving
Cleared · Public Domain
live
Intrusion, or The Doctor Disturb'd
Thomas Rowlandson (d. 1827)
January 1, 1786 · Hand-colored etching
Cleared · Public Domain
live
Cabinet for Ritual Utensils
Unrecorded maker
18th century · Lacquer and gilding on wood, iron
Cleared · Public Domain
live
Skeleton Astride a Skull
Rantei
late 18th–early 19th century · Ivory
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male skeleton holding exposed interior of a skull viewed, from Icones Anatomicae (New York Academy of Medecine and Munich, University Library, 1934)
John of Calcar (John Stephen Calcar) (d. 1550)
1543 (printed 1934) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Skeleton leaning on a tomb, hand on a skull, from Icones Anatomicae (New York Academy of Medicine and Munich, University Library, 1934)
John of Calcar (John Stephen Calcar) (d. 1550)
1543 (printed 1934) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Skeleton representing Death, resting his right hand on a skull
Giovanbattista Coriolano (d. 1649)
1657 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Scabbards with Motifs Inspired on the Drawings by Hans Holbein the Younger
Christian von Mechel (d. 1817)
ca. 1757–64 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man's Under-kimono (Nagajuban) with Skeletons
Unrecorded maker
ca. 1930s · Plain-weave crepe silk with paste-resist dyeing
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flood
Albert Abramovitz (d. 1963)
ca. 1938 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large Drawing # 44
Lucas Samaras (d. 2024)
1966 · Graphite with incising and colored pencil on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.