
An Allegory
Adam Gutmann (d. 1637)
1598 · Pen and black ink, gray, brownish-green and pink washes
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
250 ms. The Metropolitan Museum of Art, Collection API (Open Access)
326 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 117 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

An Allegory
Adam Gutmann (d. 1637)
1598 · Pen and black ink, gray, brownish-green and pink washes
Cleared · Public Domain
live
Portrait of Mademoiselle Marie-Anne Adelaide Le Normand
François Dumont (d. 1831)
c. 1793 · Portrait Miniature, watercolor on ivory in a silver gilt mount
Cleared · CC0
live
The Knight, from "Dance of Death"
Wenceslaus Hollar (d. 1677)
[1651] late 18th century printing · Etching; second state of four
Cleared · Public Domain
live
The Two Kings of Terror
Thomas Rowlandson (d. 1827)
November 1813 · Hand-colored etching
Cleared · Public Domain
live
Death and Bonaparte, The Two Kings of Terror
Thomas Rowlandson (d. 1827)
January 1, 1814 · Hand-colored etching; second issue
Cleared · Public Domain
live
The Corsican and His Bloodhounds at the Window of the Thuilleries Looking Over Paris
Thomas Rowlandson (d. 1827)
April 16, 1815 · Hand-colored etching
Cleared · Public Domain
live
The Corsican and His Bloodhounds at the Window of the Thuilleries Looking Over Paris
Thomas Rowlandson (d. 1827)
April 16, 1815 · Hand-colored etching
Cleared · Public Domain
live
The Corsican and His Bloodhounds at the Window of the Thuilleries Looking Over Paris
Thomas Rowlandson (d. 1827)
April 16, 1815 · Hand-colored etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moral Emblems: The World is a Garden
Etienne Delaune (d. 1583)
1580 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Skeleton representing Death, resting his right hand on a skull
Giovanbattista Coriolano (d. 1649)
1657 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mary Fielding
Isaac Beckett (d. 1719)
1683–87 · Mezzotint; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Flood
Hilda Katz (d. 1997)
1949 · Linocut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.