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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    532 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    311 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 26 matching records exist across the two collections.

Results for "Sketch Copy of Natural Disasters, from t"12 records

Institutions answered newest-first by record, interleaved

Ostracon by an unrecorded maker, The Metropolitan Museum of Art

Ostracon

Unrecorded maker

ca. 1300–1080 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Cuneiform tablet: Atra-hasis, Babylonian flood myth by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform tablet: Atra-hasis, Babylonian flood myth

Unrecorded maker

ca. 7th–6th century BCE · Clay

Cleared · Public Domain

live
The MetSimilar
View of Heidelberg by Jan Brueghel the Elder, The Metropolitan Museum of Art

View of Heidelberg

Jan Brueghel the Elder (d. 1625)

ca. 1588–89 · Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Mounted Hunter with Dog Pursuing Game Birds by an unrecorded maker, The Metropolitan Museum of Art

Mounted Hunter with Dog Pursuing Game Birds

Unrecorded maker

16th century · Ink and transparent watercolor on paper

Cleared · Public Domain

live
The MetSimilar
The Virgin and Saint Rosalia Interceding with Christ by Carlo Maratti, The Metropolitan Museum of Art

The Virgin and Saint Rosalia Interceding with Christ

Carlo Maratti (d. 1713)

1625–1713 · Pen and brown ink, over black chalk

Cleared · Public Domain

live
The MetSimilar
[Seated Female Nude] by Eugène Durieu, The Metropolitan Museum of Art

[Seated Female Nude]

Eugène Durieu (d. 1874)

1853–54 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Young Man, Seated, in a Velvet Beret, after Rembrandt by Edgar Degas, The Metropolitan Museum of Art

Young Man, Seated, in a Velvet Beret, after Rembrandt

Edgar Degas (d. 1917)

1857 · Etching; only state

Cleared · Public Domain

live
The MetSimilar
Second Arabesque by Edgar Degas, The Metropolitan Museum of Art

Second Arabesque

Edgar Degas (d. 1917)

modeled probably before 1890, cast 1920 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of San Vito with Monte Guadagnolo in the Distance

Heinrich Reinhold (d. 1825)

probably 1822 · Oil and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Drawing Book

H. Byrne (d. 1880)

1883 · Black chalk or graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Through South America

Margaret Neilson Armstrong (d. 1944)

1912

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Model No. 282

Steven Arpad (d. 1999)

1939 · leather, wood

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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