
Plate with Monogram
Unrecorded maker
610–613 · Silver, niello
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
524 ms. The Metropolitan Museum of Art, Collection API (Open Access)
313 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 558 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate with Monogram
Unrecorded maker
610–613 · Silver, niello
Cleared · Public Domain
live
Back Plate from a Belt Buckle
Unrecorded maker
7th century · Iron with silver inlay; one rivet a copper alloy (restoration?) …
Cleared · Public Domain
live
Back Plate of a Belt Buckle
Unrecorded maker
late 6th–7th century · Iron with silver inlay
Cleared · Public Domain
live
Back Plate from a Belt Buckle
Unrecorded maker
675–725 · Copper alloy
Cleared · Public Domain
live
Counter Plate from a Belt Buckle
Unrecorded maker
675–725 · Iron with silver inlay and copper alloy rivets
Cleared · Public Domain
live
Back Plate of a Gorget
Unrecorded maker
ca. 1650–60 · Steel, silver, gold
Cleared · Public Domain
live
Letter with Sketch of Artist Painting Stage Scenery
Augustus Welby Northmore Pugin (d. 1852)
March 1831 · Pen and black ink over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bed at the back of a room ornamented with statues, plate 3 from 'Alcôves', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketch at the Back of a Zinc Plate
Sir Francis Seymour Haden (d. 1910)
1874 · Drypoint; first (final) state (Harrington); third state of four (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Sketch Off Greenwich
Sir Francis Seymour Haden (d. 1910)
1879 · Etching; trial proof b (Harrington); fourth state of four (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketch Near Longparish
Sir Francis Seymour Haden (d. 1910)
1896 · Drypoint; trial proof b (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled Etching Plate (View of Istanbul)
Aliye Berger (d. 1974)
ca. 1954–1963 · Zinc; etched
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.