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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    614 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    797 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "Sketch of an Allegory of the Abolition o"12 records

Institutions answered newest-first by record, interleaved

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso) by Leonardo da Vinci, The Metropolitan Museum of Art

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)

Leonardo da Vinci (d. 1519)

1496 · Pen and brown ink (recto and verso)

Cleared · Public Domain

live
The MetSimilar
Landscape with Figures Trimming Trees, an Allegory of the Month of March; Verso: Mountainous Landscape with Two Men Crossing a Bridge by Anonymous, The Metropolitan Museum of Art

Landscape with Figures Trimming Trees, an Allegory of the Month of March; Verso: Mountainous Landscape with Two Men Crossing a Bridge

Anonymous

16th century (?) · Pen and brown ink, brush and gray wash, over traces of black chalk Verso: pen and brown ink, brush and gray wash, over traces of black chalk, heightened with pinkish white bodycolor

Cleared · Public Domain

live
The MetSimilar
Allegorical scene with beggars and blacksmiths (recto); Sketch of rooftop (verso) by David Vinckboons, The Metropolitan Museum of Art

Allegorical scene with beggars and blacksmiths (recto); Sketch of rooftop (verso)

David Vinckboons (d. 1629)

ca. 1613 · Pen and brown ink, brush and brown ink, brown wash, heightened with white, on antique laid paper partially prepared with green watercolor, double framing lines in brown ink and gold leaf (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671) by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)

Pietro da Cortona (Pietro Berrettini) (d. 1669)

ca. 1635 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper

Cleared · Public Domain

live
The MetSimilar
Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso) by Pieter Verbruggen the Younger, The Metropolitan Museum of Art

Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso)

Pieter Verbruggen the Younger (d. 1691)

late 17th–early 18th century · Pen and brown ink, red chalk, over black chalk or graphite, brown wash (recto); red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Allegory of Smell by Joseph Marie Vien, The Metropolitan Museum of Art

Allegory of Smell

Joseph Marie Vien (d. 1809)

1775–81 · Oil on paper

Cleared · Public Domain

live
The MetSimilar
Sketch of an Allegory of the Abolition of Slavery by Anonymous, French School, 19th Century, The Metropolitan Museum of Art

Sketch of an Allegory of the Abolition of Slavery

Anonymous, French School, 19th Century (d. 1899)

ca. 1848 · Terracotta

Cleared · Public Domain

live
The MetSimilar
The Source by Gustave Courbet, The Metropolitan Museum of Art

The Source

Gustave Courbet (d. 1877)

1862 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Allegory of the Sorbonne by Pierre Puvis de Chavannes, The Metropolitan Museum of Art

The Allegory of the Sorbonne

Pierre Puvis de Chavannes (d. 1898)

1889 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Honos Alit Artes: Lozenge-shaped Panel with an Allegory of the Arts

Julius Goltzius (d. 1595)

1592 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three Women Considering a Sketch

Francesco Bartolozzi (d. 1815)

1792–98 · Etching, printed in brown ink; second state of two (De Vesme & Calabi)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Theatrical costume for the number 'O Leo' in "At Home Abroad"

Vincente Minnelli (d. 1986)

1935 · Watercolor over graphite

In copyright

live
The MetSimilar

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