
Sketches for Compositions and Groups of Figures (recto and verso)
Paolo Veronese (Paolo Caliari) (d. 1588)
ca. 1568–88 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1948 ms. The Metropolitan Museum of Art, Collection API (Open Access)
656 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19,410 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Sketches for Compositions and Groups of Figures (recto and verso)
Paolo Veronese (Paolo Caliari) (d. 1588)
ca. 1568–88 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Cupid and Psyche
Jacques-Louis David (d. 1825)
1813 · Drawing, gray wash and pen and black ink with white paint and traces of black chalk
Cleared · CC0
live
Sketches for Details of a Dress and Other Accessories
Anonymous, French, 18th century (d. 1800)
ca. 1785–90 · Pen and black ink, graphite, gouache
Cleared · Public Domain
live
The Holy Family with Saint John the Baptist and Saint Margaret
Filippino Lippi (d. 1504)
c. 1488–93 · Painting, tempera and oil on wood
Cleared · CC0
live
Sketches of Birds and Animals
Kawanabe Kyōsai 河鍋暁斎 (d. 1889)
late 19th century, before 1870 · Handscroll; ink on paper
Cleared · Public Domain
live
Sketch for "The Assumption of the Virgin" (for St. James, Zbraslav, near Prague)?
Giovanni Battista Piazzetta (d. 1754)
c. 1744 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Booklet of Coptic drawings, notes, and sketches
Tiffany Studios (d. 1932)
1920–27 · Watercolor, gauche, ink, and graphite on paper
In copyright
live
Crucifixion with the Two Thieves
Unrecorded maker
1450–1500 · Drawing, pen and brown ink and black chalk
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A, from "Sketches"
Cy Twombly (d. 2011)
1967–75 · Etching
In copyright
live
View across the Moat towards the Thomasschule and the Thomaskirche in Leipzig
Julius Schnorr von Carolsfeld (d. 1872)
1817 · Drawing, Pen and black ink and graphite on ivory wove paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
B, from "Sketches"
Cy Twombly (d. 2011)
1967–75 · Etching
In copyright
live
Study for "The Apotheosis of Ferdinand IV and Maria Carolina, King and Queen of Naples" (for the Palazzo dei Regi Studi, Naples)
Pietro Bardellino (d. 1810)
c. 1781 · Painting, oil on canvas
Cleared · CC0
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.