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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    284 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    1349 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 127 matching records exist across the two collections.

Results for "Sketches of Five Arms and a Head (verso)"12 records

Institutions answered newest-first by record, interleaved

Saint Sebastian (recto); sketches of a male head and a standing figure in a short cape; a copy of the figure on the recto (verso) by Sodoma (Giovanni Antonio Bazzi), The Metropolitan Museum of Art

Saint Sebastian (recto); sketches of a male head and a standing figure in a short cape; a copy of the figure on the recto (verso)

Sodoma (Giovanni Antonio Bazzi) (d. 1549)

early–mid-16th century · Pen and brown ink, brown wash, over black chalk (recto); pen and brown ink, black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Sketches of Five Arms and a Head (verso) by Luzio Romano, The Cleveland Museum of Art

Sketches of Five Arms and a Head (verso)

Luzio Romano

mid 1500s · Drawing, pen and brown ink and brush and brown wash, and charcoal underdrawing

Cleared · CC0

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Cleveland Museum of ArtSimilar
Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso) by Peter Paul Rubens, The Metropolitan Museum of Art

Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso)

Peter Paul Rubens (d. 1640)

ca. 1601–02 (recto); ca. 1601 (verso) · Pen and brown ink, over black chalk

Cleared · Public Domain

live
The MetSimilar
Design for Two Vases and an Ornament (recto); Sketches of Five Arms and a Head (verso) by Luzio Romano, The Cleveland Museum of Art

Design for Two Vases and an Ornament (recto); Sketches of Five Arms and a Head (verso)

Luzio Romano

mid 1500s · Drawing, pen and brown ink and brush and brown wash, with brush and gray wash (left vase), over black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Figures in Battle and Head of a Horse (recto); Studies of a Man's Head and Arms (verso) by Stefano della Bella, The Metropolitan Museum of Art

Figures in Battle and Head of a Horse (recto); Studies of a Man's Head and Arms (verso)

Stefano della Bella (d. 1664)

1610–64 · Pen and brown ink (recto); pen and brown ink (verso)

Cleared · Public Domain

live
The MetSimilar
Head of a Man Wearing a Helmet, Looking to Upper Left (recto); Two Sketches, Arms and Hands (verso) by Francesco di Maria, The Metropolitan Museum of Art

Head of a Man Wearing a Helmet, Looking to Upper Left (recto); Two Sketches, Arms and Hands (verso)

Francesco di Maria (d. 1690)

1623–90 · Red chalk, highlighted with a little white (recto); black chalk studies of arms (verso)

Cleared · Public Domain

live
The MetSimilar
Seated Bishop with Arms Extended and Three Attendant Figures (recto); Head of a Lion and Perspective Diagrams (verso) by Mattia Preti (Il Cavalier Calabrese), The Metropolitan Museum of Art

Seated Bishop with Arms Extended and Three Attendant Figures (recto); Head of a Lion and Perspective Diagrams (verso)

Mattia Preti (Il Cavalier Calabrese) (d. 1699)

1613–99 · Red chalk, brush and red wash (recto); red chalk (verso), on beige paper

Cleared · Public Domain

live
The MetSimilar
Two Studies of a Young Girl (possibly Louise-Reine Guffroy)(recto); A Study of a seated man with sketches of  his hand, a girl, and a head (verso) by Adélaïde-Marie-Anne Castellas-Moitte, The Metropolitan Museum of Art

Two Studies of a Young Girl (possibly Louise-Reine Guffroy)(recto); A Study of a seated man with sketches of his hand, a girl, and a head (verso)

Adélaïde-Marie-Anne Castellas-Moitte (d. 1807)

ca. 1797 · Pen and brown ink (recto); graphite, pen and brown ink (verso)

Cleared · Public Domain

live
The MetSimilar
The Sword of Damocles; verso: Sketches of Man's Head and of a Figure with a Raised Arm by Christoffer Wilhelm Eckersberg, The Metropolitan Museum of Art

The Sword of Damocles; verso: Sketches of Man's Head and of a Figure with a Raised Arm

Christoffer Wilhelm Eckersberg (d. 1853)

1805 · Pen and black ink, over graphite

Cleared · Public Domain

live
The MetSimilar
The Giaour on Horseback (recto); Study of a Woman with Head and Arms Thrown Back, and Study of the Head of an Old Man (verso) by Eugène Delacroix, The Metropolitan Museum of Art

The Giaour on Horseback (recto); Study of a Woman with Head and Arms Thrown Back, and Study of the Head of an Old Man (verso)

Eugène Delacroix (d. 1863)

1824–26 · Pen and iron gall ink, brush and brown wash, over graphite

Cleared · Public Domain

live
The MetSimilar
Design for an Overdoor with Two Mirroring Putti flanking a Coat of Arms; sketches on verso by Jean-Baptiste Louis Plantar, The Metropolitan Museum of Art

Design for an Overdoor with Two Mirroring Putti flanking a Coat of Arms; sketches on verso

Jean-Baptiste Louis Plantar

mid-19th century · Graphite, pen and ink, watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Five Coats of Arms and a Horizontal Panel; Three Basic Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

In copyright

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The MetSimilar

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