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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    252 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 119 matching records exist across the two collections.

Results for "Sketches on the Coast Survey Plate"12 records

Institutions answered newest-first by record, interleaved

Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Hooded Male Head (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Hooded Male Head (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Hooded Male Head (from Sketches on The Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Hooded Male Head (from Sketches on The Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Old Woman and Child in Oval (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Old Woman and Child in Oval (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Sketches on the Coast Survey Plate by James McNeill Whistler, The Metropolitan Museum of Art

Sketches on the Coast Survey Plate

James McNeill Whistler (d. 1903)

1854–55 · Etching, printed in black ink; only state (Glasgow)

Cleared · Public Domain

live
The MetSimilar
Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is an irregular fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
View of a Coast Line (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

View of a Coast Line (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Tutocanula, or El Capitan, 3600 feet, Yosemite Valley, Mariposa County, California by Carleton E. Watkins, The Metropolitan Museum of Art

Tutocanula, or El Capitan, 3600 feet, Yosemite Valley, Mariposa County, California

Carleton E. Watkins (d. 1916)

1865–66 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elderly woman in profile

Benigno Bossi (d. 1792)

1775 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elderly woman in profile

Benigno Bossi (d. 1792)

1775 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sunset on the Normandy Coast

Eugène Isabey (d. 1886)

possibly 1830s · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

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