
Opera Nova Universali intitulata Corona di racammi, page 31 (verso)
Giovanni Andrea Vavassore (d. 1573)
[1530] · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
159 ms. The Metropolitan Museum of Art, Collection API (Open Access)
335 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 592 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Opera Nova Universali intitulata Corona di racammi, page 31 (verso)
Giovanni Andrea Vavassore (d. 1573)
[1530] · Woodcut
Cleared · Public Domain
live
La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 10 (recto)
Matteo Pagano (d. 1588)
1556 · Woodcut
Cleared · Public Domain
live
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 61 (recto)
Federico de Vinciolo (d. 1599)
1603 · Woodcut
Cleared · Public Domain
live
Pitcher
United States Pottery Company (d. 1852)
1852–58 · Parian porcelain
Cleared · Public Domain
live
Quilt, Oak Leaf pattern
Unrecorded maker
ca. 1860 · Cotton
Cleared · Public Domain
live
Noren with Design of Oak-Leaf Crest, Plovers, and Waves
Unrecorded maker
1920 · Resist-dyed plain weave, probably hemp
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cabinet hardware design with acorns and oak leaves
George S. Pearson (d. 1950)
ca. 1880–1900 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Small design with acorns and oak leaf
George S. Pearson (d. 1950)
ca. 1880–1900 · Graphite and green ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Small design with insect on leaf
George S. Pearson (d. 1950)
ca. 1880–1900 · Graphite; punctuated sheet and blind embossing
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Small design with leaf
George S. Pearson (d. 1950)
ca. 1880–1900 · Graphite and red ink; blind embossing
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Small design with leaf fragments
George S. Pearson (d. 1950)
ca. 1880–1900 · Graphite and blind embossing
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with a Floral Pattern with Bundles of Stylized Flowers and Flower Buds and a Large Leaf
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.