
Face
Olmec artist(s)
900–400 BCE · Jadeite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
358 ms. The Metropolitan Museum of Art, Collection API (Open Access)
310 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 29 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Face
Olmec artist(s)
900–400 BCE · Jadeite
Cleared · Public Domain
live
Small mask, possibly of a boy, with short locks combed to the front
Unrecorded maker
1st–mid-2nd century CE · Plaster, paint
Cleared · Public Domain
live
Beaker with rattle
Lambayeque (Sicán) artist(s)
900–1100 CE · Gold, turquoise, resin
Cleared · Public Domain
live
Boy on a shell, holding a candlestick
Unrecorded maker
mid-15th century · Bronze, partially oil-gilt
Cleared · Public Domain
live
Spinario (boy pulling a thorn from his foot)
Severo Calzetta da Ravenna (d. 1543)
first half of the 16th century? · Bronze
Cleared · Public Domain
live
Spinario (boy pulling a thorn from his foot)
Unrecorded maker
first half of the 16th century? · Bronze
Cleared · Public Domain
live
The Enraged Musician
William Hogarth (d. 1764)
November 30, 1741 · Etching and engraving; third state of three
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sheet of thirty images for children: Old Woman, Serjeant and Hermit...Pointer Dog, Cat
Anonymous, British, 19th century (d. 1900)
1820–25 · Hand-colored woodcut and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sheet of one hundred and forty-four images for children
Anonymous, British, 19th century (d. 1900)
1800–1850 · Hand-colored woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
’Emangungu (initiation mask)
Bembe artist
Late 19th–early 20th century · Wood, metal, pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flute Mask
Unrecorded maker
late 19th–early 20th century · Wood, paint, seeds, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
N-kisyan-khanda (initiation headdress)
Yaka artist and nkanda initiate
19th–20th century · Wood, cane, raffia, pigment
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.