
Glass hexagonal bottle
Unrecorded maker
ca. 25–50 CE · Glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
290 ms. The Metropolitan Museum of Art, Collection API (Open Access)
386 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Glass hexagonal bottle
Unrecorded maker
ca. 25–50 CE · Glass
Cleared · Public Domain
live
Glass hexagonal bottle
Unrecorded maker
ca. 25–50 CE · Glass
Cleared · Public Domain
live
Glass hexagonal bottle
Unrecorded maker
1st half of 1st century CE · Glass
Cleared · Public Domain
live
Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock
James Cox (d. 1800)
1766 · Case: gold with diamonds and paste jewels set in silver, pearls; Dial: white enamel; Movement: partly gilded brass and steel, wheel balance and cock of silver set with paste jewels
Cleared · Public Domain
live
Snuff bottle with boy flying a bird
Unrecorded maker
1795 · Coral
Cleared · Public Domain
live
Snuff Bottle with Old Man Carrying a Boy
Unrecorded maker
late 18th century · Green tourmaline with pink tourmaline stopper
Cleared · Public Domain
live
Snuff bottle with bird on a branch
Unrecorded maker
19th century · Porcelain with green glass stopper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Samuel John Carter (d. 1892)
1871–75 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Accommodation Train
Thomas B. Worth (d. 1917)
1876 · Hand-colored lithograph with some gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Accommodation Train
Thomas B. Worth (d. 1917)
1876 · Hand-colored lithograph with some gum arabic
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.