![The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/DP-42913-001.jpg)
The Farnese Table
Jacopo [Giacomo] Barozzi da Vignola (d. 1573)
ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
351 ms. The Metropolitan Museum of Art, Collection API (Open Access)
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 274 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/DP-42913-001.jpg)
The Farnese Table
Jacopo [Giacomo] Barozzi da Vignola (d. 1573)
ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers
Cleared · Public Domain
live
Eating and work table (one of a pair)
Bernard II van Risenburgh (d. 1767)
Trays: ca. 1761; table: ca. 1761–63 · Oak, vernis Martin, soft-paste porcelain, gilt bronze
Cleared · Public Domain
live
Two soldiers shaking hands
Kelsterbach Pottery and Porcelain Manufactory (d. 1828)
1761–64 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Mechanical table (Table mécanique)
Jean Henri Riesener (d. 1806)
1778 · Oak veneered with marquetry of bois satiné, holly, amaranth, barberry, stained sycamore, and green-lacquered wood; gilt-bronze mounts; steel, iron and brass fittings; mirror glass; velvet (not original)
Cleared · Public Domain
live
Lazarus and the Rich Man
Anonymous, British, 19th century (d. 1900)
1830 · Hand-colored etching
Cleared · Public Domain
live
Table
Royal Porcelain Manufactory, Berlin (d. 9999)
ca. 1833–34 · Hard-paste porcelain, gilded bronze, and yellow metal; iron and wood as support materials
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two priests eating at a table during carnival, illustration for 'Don Bullebulle'
Gabriel Vicente Gahona (Picheta) (d. 1899)
ca. 1847 (impression printed 1944) · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Harlequin and a Lady Eating at a Table in a Park, while being Watched by an angry Pierrot and a Young Man
Johann Esaias Nilson (d. 1788)
1746–47 · Pen and black and gray ink, brush and gray ink; framing line in black ink, by the artist
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three Men and a Cook
Thomas Rowlandson (d. 1827)
1770–1827 · Pen and brown and gray ink, watercolor, over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Men at a Table, Man Eating (from Switzerland 1869 Sketchbook)
John Singer Sargent (d. 1925)
1869 · Watercolor, gouache, and graphite on off-white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eating Crow on a Wager: De Fust Brace
Thomas B. Worth (d. 1917)
1883 · Hand-colored lithograph, with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Soldiers Eating at a Table
Louise-Amelie Landré (d. 1952)
1916 · Watercolor, pen and ink
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.