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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    245 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    395 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Solution générale du problème de la p"8 records

Institutions answered newest-first by record, interleaved

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) by Michelangelo Buonarroti, The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo Buonarroti (d. 1564)

ca. 1510–11 · Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)

Cleared · Public Domain

live
The MetSimilar
Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt by Giovanni Lanfranco, The Metropolitan Museum of Art

Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt

Giovanni Lanfranco (d. 1647)

1582–1647 · Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above and below indicated in ruled black chalk lines

Cleared · Public Domain

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The MetSimilar
Wall clock (pendule en cartel) by Jean Godde l'aîné, The Metropolitan Museum of Art

Wall clock (pendule en cartel)

Jean Godde l'aîné (d. 1749)

ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Hercules and Omphale by Vincennes Manufactory, The Metropolitan Museum of Art

Hercules and Omphale

Vincennes Manufactory (d. 1756)

ca. 1749–50 · Soft-paste porcelain

Cleared · Public Domain

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The MetSimilar
Mantel clock (pendule de chiminée) by Paul Gudin Le Jeune, The Metropolitan Museum of Art

Mantel clock (pendule de chiminée)

Paul Gudin Le Jeune (d. 1755)

clock ca. 1750, figures decorated ca. 1737/38 · Case: hard-paste and soft-paste porcelain, with gilded-bronze mounts; Dial: white enamel with blue numerals for hours and blue numerals for minutes; Movement: brass and steel

Cleared · Public Domain

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The MetSimilar
Mantel clock ("Pendule Uranie") by Jean-André Lepaute, The Metropolitan Museum of Art

Mantel clock ("Pendule Uranie")

Jean-André Lepaute (d. 1789)

ca. 1764–70 · Case: patinated bronze and gilded bronze; Dial: white enamel; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Pendant with Saint Anthony of Padua by Kongo artist, The Metropolitan Museum of Art

Pendant with Saint Anthony of Padua

Kongo artist

16th–19th century · Partially hollow cast brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Solution générale du problème de la photographie des couleurs

Charles Cros (d. 1888)

1869 · Printed book

In copyright

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The MetSimilar

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