
The Edge of the Woods at Monts-Girard, Fontainebleau Forest
Théodore Rousseau (d. 1867)
1852–54 · Oil on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
3294 ms. The Metropolitan Museum of Art, Collection API (Open Access)
382 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 805 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Edge of the Woods at Monts-Girard, Fontainebleau Forest
Théodore Rousseau (d. 1867)
1852–54 · Oil on wood
Cleared · Public Domain
live
Fontainebleau, chemin sablonneux montant
Gustave Le Gray (d. 1884)
ca. 1856 · Albumen silver print from glass negative
Cleared · Public Domain
live![[Fontainebleau Forest] by Eugène Cuvelier, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DT1170.jpg)
[Fontainebleau Forest]
Eugène Cuvelier (d. 1900)
early 1860s · Salted paper print from paper negative
Cleared · Public Domain
live
A Pond in the Forest of Fontainebleau
Auguste Allongé (d. 1898)
1870-98 · Charcoal
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Some of the Best Harts in the Forest
Sir Edwin Henry Landseer (d. 1873)
1868 · Etching and engraving on chine collé; proof before letters
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Some of the Best Harts in the Forest!
Sir Edwin Henry Landseer (d. 1873)
December 1, 1868 · Etching and engraving on chine collé; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Forest Scene on the Lehigh
Frances Flora Bond Palmer (d. 1876)
1857–71 · Hand-colored lithograph with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beach Scene
Lockwood de Forest (d. 1932)
1877 · Oil on card
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Atmospheric Landscape at Sunset
Lockwood de Forest (d. 1932)
1904 · Oil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Forest (Composition with Seven Figures and a Head)
Alberto Giacometti (d. 1966)
1950 · Painted bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.