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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    691 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    323 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 168 matching records exist across the two collections.

Results for "South Elevation and Plan of the Greenhou"10 records

Institutions answered newest-first by record, interleaved

Design for the Elevation and Plan of a Reredos by Anonymous, Italian, North or Central Italy, 16th century, The Metropolitan Museum of Art

Design for the Elevation and Plan of a Reredos

Anonymous, Italian, North or Central Italy, 16th century (d. 1600)

ca. 1570

Cleared · Public Domain

live
The MetSimilar
Plan and Elevation of Country House by Robert Morris, The Metropolitan Museum of Art

Plan and Elevation of Country House

Robert Morris (d. 1754)

early to mid-18th century · Pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Plan and Elevation of the Capuchin Tabernacle of Luneville by Adrian La Touvenot, The Metropolitan Museum of Art

Plan and Elevation of the Capuchin Tabernacle of Luneville

Adrian La Touvenot (d. 1787)

1787 · Pen and black ink, brush and gray wash over graphite

Cleared · Public Domain

live
The MetSimilar
Elevation and Plan of the Façade of a Building by Karl Friedrich Schinkel, The Metropolitan Museum of Art

Elevation and Plan of the Façade of a Building

Karl Friedrich Schinkel (d. 1841)

1840 · Pen and black ink and watercolor over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan and Elevation of the Bridge at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

South Elevation and Plan of the Greenhouse at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple of Bellona, Elevation and Plan, at Kew

Sir William Chambers (d. 1796)

1763 · Watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan and Elevation of the Entrance Building (Plan et Elévation de la partie d'entrée), plate 5 from "Project for a country house" (Projet d'une maison de campagne pour un particulier...)

Anonymous, French, 18th century (d. 1800)

18th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Belmead," South Bank, James River, Powhatan County, Virginia (vignette of riverside elevation and plan)

Alexander Anderson (d. 1870)

1845 · Wood engraving printed in brown ink; plan in pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Perspective, elevation, and partial plan of garden wall; Verso-Elevation and Plan of Lake House, Wayzata, Minnesota

Frank Lloyd Wright (d. 1959)

ca. 1912–13 · Graphite

In copyright

live
The MetSimilar

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