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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    314 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    410 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "South Street, from Coenties' Slip"7 records

Institutions answered newest-first by record, interleaved

Sugar pot by an unrecorded maker, The Metropolitan Museum of Art

Sugar pot

Unrecorded maker

1790–1820 · Earthenware with slip decoration

Cleared · Public Domain

live
The MetSimilar
VIEW/ FROM/ COENTIES-SLIP by Thomas Dimmock & Co., The Metropolitan Museum of Art

VIEW/ FROM/ COENTIES-SLIP

Thomas Dimmock & Co. (d. 1859)

ca. 1828–ca. 1859 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
[Five Members of the Wild Bunch?] by Unknown, The Metropolitan Museum of Art

[Five Members of the Wild Bunch?]

Unknown

ca. 1892 · Tintype

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled object 916838

Gawen Brown (d. 1801)

ca. 1760 · Mahogany, white pine, brass, iron, silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A View of the City of New York from Brooklyn Heights, in 1798 by Monsieur C. B. de Julien de St. Memin with a Pantograph Invented by Himself

Charles Balthazar Julien Févret de Saint-Mémin (d. 1852)

ca. 1850 · Engraving; first state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Etcher's Folio: A Publication Devoted to the Interest of American Etchers, and the Promotion of American Art, Parts 1-12

Janentzky & Co. (d. 1950)

1884 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

South Street, from Coenties' Slip

Charles Frederick Mielatz (d. 1919)

1898 · Lithograph on yellow paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.