Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    399 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    417 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,735 matching records exist across the two collections.

Results for "Spanish Entertainment from the 'Bulls of"12 records

Institutions answered newest-first by record, interleaved

Ostracon with fighting bulls by an unrecorded maker, The Metropolitan Museum of Art

Ostracon with fighting bulls

Unrecorded maker

ca. 1300–1080 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
The Trinity Adored by All Saints by Spanish Painter, The Metropolitan Museum of Art

The Trinity Adored by All Saints

Spanish Painter

1405 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
The Virgin by Spanish (Catalan) Painter, The Metropolitan Museum of Art

The Virgin

Spanish (Catalan) Painter

1455 · Tempera and oil on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
Salome with the Head of Saint John the Baptist by Spanish (Catalan) Painter, The Metropolitan Museum of Art

Salome with the Head of Saint John the Baptist

Spanish (Catalan) Painter

1469 · Tempera and gold on canvas, transferred from wood

Cleared · Public Domain

live
The MetSimilar
'Barbarous Entertainment', a blind guitarist on the horns of a bull by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

'Barbarous Entertainment', a blind guitarist on the horns of a bull

Goya (Francisco de Goya y Lucientes) (d. 1828)

1800–1804 (published 1828–67) · Etching, aquatint, drypoint on laid paper

Cleared · Public Domain

live
The MetSimilar
Spanish Entertainment from the 'Bulls of Bordeaux' by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Spanish Entertainment from the 'Bulls of Bordeaux'

Goya (Francisco de Goya y Lucientes) (d. 1828)

1825 · Lithograph

Cleared · Public Domain

live
The MetSimilar
Suerte VI: The torero's assistant sets dogs on the bull by Anonymous, Spanish, 19th century, The Metropolitan Museum of Art

Suerte VI: The torero's assistant sets dogs on the bull

Anonymous, Spanish, 19th century (d. 1900)

ca. 1850–80 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Suerte X: A torero prepares to stab the bull by Anonymous, Spanish, 19th century, The Metropolitan Museum of Art

Suerte X: A torero prepares to stab the bull

Anonymous, Spanish, 19th century (d. 1900)

ca. 1850–80 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Suerte XI: The death of the bull by Anonymous, Spanish, 19th century, The Metropolitan Museum of Art

Suerte XI: The death of the bull

Anonymous, Spanish, 19th century (d. 1900)

ca. 1850–80 · Woodcut

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The conversion of St Paul, an illustration cut from a book (apparently dating to 1494) with Spanish letterpress on verso

Anonymous, Spanish, 15th century (d. 1499)

1494 · Woodcut and letterpress

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The martyrdom of a saintl, an illustration cut from a book (apparently dating to 1494) with Spanish letterpress on verso

Anonymous, Spanish, 15th century (d. 1499)

1494 · Woodcut and letterpress

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Manuscript Illumination with the Visitation in an Initial D, from a Choir Book

Spanish Forger (d. 1935)

late 19th–early 20th century · Tempera, ink, and gold on parchment

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.