
Ostracon with fighting bulls
Unrecorded maker
ca. 1300–1080 BCE · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
399 ms. The Metropolitan Museum of Art, Collection API (Open Access)
417 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,735 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ostracon with fighting bulls
Unrecorded maker
ca. 1300–1080 BCE · Limestone, paint
Cleared · Public Domain
live
The Trinity Adored by All Saints
Spanish Painter
1405 · Tempera and gold on wood
Cleared · Public Domain
live
The Virgin
Spanish (Catalan) Painter
1455 · Tempera and oil on wood, gold ground
Cleared · Public Domain
live
Salome with the Head of Saint John the Baptist
Spanish (Catalan) Painter
1469 · Tempera and gold on canvas, transferred from wood
Cleared · Public Domain
live
'Barbarous Entertainment', a blind guitarist on the horns of a bull
Goya (Francisco de Goya y Lucientes) (d. 1828)
1800–1804 (published 1828–67) · Etching, aquatint, drypoint on laid paper
Cleared · Public Domain
live
Spanish Entertainment from the 'Bulls of Bordeaux'
Goya (Francisco de Goya y Lucientes) (d. 1828)
1825 · Lithograph
Cleared · Public Domain
live
Suerte VI: The torero's assistant sets dogs on the bull
Anonymous, Spanish, 19th century (d. 1900)
ca. 1850–80 · Woodcut
Cleared · Public Domain
live
Suerte X: A torero prepares to stab the bull
Anonymous, Spanish, 19th century (d. 1900)
ca. 1850–80 · Woodcut
Cleared · Public Domain
live
Suerte XI: The death of the bull
Anonymous, Spanish, 19th century (d. 1900)
ca. 1850–80 · Woodcut
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The conversion of St Paul, an illustration cut from a book (apparently dating to 1494) with Spanish letterpress on verso
Anonymous, Spanish, 15th century (d. 1499)
1494 · Woodcut and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The martyrdom of a saintl, an illustration cut from a book (apparently dating to 1494) with Spanish letterpress on verso
Anonymous, Spanish, 15th century (d. 1499)
1494 · Woodcut and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Manuscript Illumination with the Visitation in an Initial D, from a Choir Book
Spanish Forger (d. 1935)
late 19th–early 20th century · Tempera, ink, and gold on parchment
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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