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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    283 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 23 matching records exist across the two collections.

Results for "Specimens of Polyautography: Man Seated"12 records

Institutions answered newest-first by record, interleaved

Intrusion, or The Doctor Disturb'd by Thomas Rowlandson, The Metropolitan Museum of Art

Intrusion, or The Doctor Disturb'd

Thomas Rowlandson (d. 1827)

January 1, 1786 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Specimens of Polyautography:  Boy Seated on a Grassy Bank by Thomas Barker, The Cleveland Museum of Art

Specimens of Polyautography: Boy Seated on a Grassy Bank

Thomas Barker (d. 1847)

1803 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Geological Lecture Room, Oxford: Dr. William Buckland Lecturing on February 15, 1823 by Nathaniel Whittock, The Metropolitan Museum of Art

The Geological Lecture Room, Oxford: Dr. William Buckland Lecturing on February 15, 1823

Nathaniel Whittock (d. 1860)

1823–30 · Lithograph

Cleared · Public Domain

live
The MetSimilar
Specimens of Polyautography:  Man Seated under an Oak by Richard II Cooper, The Cleveland Museum of Art

Specimens of Polyautography: Man Seated under an Oak

Richard II Cooper (d. 1814)

1802 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Trees with Old Man, a Girl and a Dog

Richard Corbould (d. 1831)

1802–3 · Pen lithograph on gray-brown aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Group of Trees Surrounded by Water, Cottage at Left, Woman Seated Right Foreground

Richard Cooper II (d. 1822)

1802–6 · Pen lithograph on yellow-ocher aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Group of Trees Surrounded by Water, Cottage at Left, Woman Seated Right Foreground

Richard Cooper II (d. 1822)

1802–6 · Pen lithograph on yellow-ocher aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Large Trees, Man Seated at Left

Richard Cooper II (d. 1822)

1802–6 · Pen lithograph on pale yellow aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marine: Fishing Boats on Shore, Man with Oars, Ship in Distance

John Thomas Serres (d. 1825)

1803–6 · Pen lithograph on yellow-ocher aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Trees with Old Man, a Girl and a Dog

Richard Corbould (d. 1831)

1802–6 · Pen lithograph on pale yellow aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study of Trees and Shrubs with a Seated Figure

William Havell (d. 1857)

1804–6 · Pen lithograph on yellow-ocher aquatint mount

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study of Trees and Shrubs with a Seated Figure

William Havell (d. 1857)

1804–6 · Pen lithograph on yellow-ocher aquatint mount

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.