Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
251 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 50 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Charge
Robert Ker Porter (d. 1842)
1803 · Pen lithograph on dark gray-brown aquatint mount
In copyright
live
Specimens of Polyautography: The Angel at the Tomb of Christ
Benjamin West (d. 1820)
1801 · Print, lithograph
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eastern Patriarch [King Lear]
James Barry (d. 1806)
1803 · Pen lithograph with gray aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Angel of the Resurrection
Benjamin West (d. 1820)
1801–6 · Pen lithograph on pale yellow-beige aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Tree, a Castle in the Distance on the Right
Thomas Hearne (d. 1817)
1803–6 · Pen lithograph on beige aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Tree, a Castle in the Distance on the Right
Thomas Hearne (d. 1817)
1803–6 · Pen lithograph on pale yellow-beige aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of Trees and Shrubs with a Seated Figure
William Havell (d. 1857)
1804–6 · Pen lithograph on yellow-ocher aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lost Apple
Thomas Stothard (d. 1834)
1803–6 · Pen lithograph on pale yellow aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ruined Abbey Among the Trees
Richard Cooper II (d. 1822)
1802–7 · Pen lithograph on pale yellow-ocher aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Specimens of Polyautography, Consisting of Impressions Taken from Original Drawings (Made on Stone) Purposely for This Work
Philipp H. André (d. 1805)
1803–7 · Lithographs, on yellow-ocher or gray-brown aquatint mounts
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Specimens of Polyautography, Consisting of Impressions taken from Original Drawings, Made on Stone purposely for this Work
Georg Jacob Vollweiler (d. 1850)
1806–7 · Album containing lithographs on yellow-ocher aquatint mounts
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening Thou Bringest All
Henry Fuseli (d. 1825)
19th century · Pen and ink drawing (imitating a lithograph), on beige watercolor mount
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.