
Brazier from the Burial of Amenhotep
Unrecorded maker
ca. 1473–1458 BCE · pottery
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1059 ms. The Metropolitan Museum of Art, Collection API (Open Access)
340 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 51 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Brazier from the Burial of Amenhotep
Unrecorded maker
ca. 1473–1458 BCE · pottery
Cleared · Public Domain
live
Terracotta fragment of a skyphos (deep drinking cup)
Unrecorded maker
6th/5th centuries BCE · Terracotta
Cleared · Public Domain
live
Black and Blue Painted Bowl
Unrecorded maker
early 13th century · Stonepaste; polychrome painted under transparent glaze
Cleared · Public Domain
live
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 13 (recto)
Federico de Vinciolo (d. 1599)
1603 · Woodcut
Cleared · Public Domain
live
A Courtesan and Her Attendants with a Revolving Shadow Lantern
Okumura Masanobu (d. 1764)
ca. 1715–20 · Woodblock print (tan-e); ink and hand applied color on two joined sheets of paper
Cleared · Public Domain
live
Longcase equation regulator
Ferdinand Berthoud (d. 1807)
ca. 1752 · Oak veneered with satinwood and kingwood; gilt-bronze mounts, glass, enamel, steel, and brass
Cleared · Public Domain
live
Mashrabiya Screen
Unrecorded maker
18th–19th century · Wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sealing with the Name of Amun
Unrecorded maker
ca. 1550–1300 BCE · Burned clay
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spinner Inside a Stable
Francesco Londonio (d. 1783)
ca. 1759–82 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Starting Out on His Mettle
Thomas B. Worth (d. 1917)
1875 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Sponging"
Thomas B. Worth (d. 1917)
1889 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Visit to Denning's, Broadway, New York, Leaves from an artist's Sketch Book [trade catalogue]
E. J. Denning & Co. (d. 1892)
[ca. 1890] · Illustrations: color lithographs photomechanical prints
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.