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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1115 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 540 matching records exist across the two collections.

Results for "Springtime, New Orleans"12 records

Institutions answered newest-first by record, interleaved

Wilson, Branded Slave from New Orleans by Charles Paxson, The Metropolitan Museum of Art

Wilson, Branded Slave from New Orleans

Charles Paxson (d. 1869)

1863 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New Orleans Carnival; Advertising Extra

New Orleans Carnival (d. 1900)

1881

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Levee -- New Orleans

William Aiken Walker (d. 1921)

1884 · Lithograph, printed in oil colors

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Springtime

Maurice Denis (d. 1943)

ca. 1894–99 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Springtime, New Orleans

George Overbury "Pop" Hart (d. 1933)

1925 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Balcony, New Orleans

Lawrence Edward Kupferman (d. 1982)

1937 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[New Orleans House]

Peter Sekaer (d. 1950)

ca. 1936 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New Orleans

Morris Henry Hobbs (d. 1967)

1943 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trolley—New Orleans

Robert Frank (d. 2019)

1955 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New Orleans

Lee Friedlander (d. 9999)

1969, printed 1970s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New Orleans Storyville: Ragtime Preparations

Romare Bearden (d. 1988)

1975 · Monotype with hand coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shuttlecock Sphinx, Springtime

Claes Oldenburg (d. 2022)

2003 · Pencil, colored pencil and pastel on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.