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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1607 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    378 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21 matching records exist across the two collections.

Results for "Sprite (Front and side views, for Midway"12 records

Institutions answered newest-first by record, interleaved

Terracotta amphora (jar) by Rycroft Painter, The Metropolitan Museum of Art

Terracotta amphora (jar)

Rycroft Painter

ca. 510 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Triton and Nereid by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Triton and Nereid

Andrea Briosco, called Riccio (d. 1532)

after 1532–before ca. 1550 · Bronze

Cleared · Public Domain

live
The MetSimilar
Ney by an unrecorded maker, The Metropolitan Museum of Art

Ney

Unrecorded maker

late 19th century · Cherry or plum wood (from Hnene)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horizontal panel with an oval scene at center with portal with front portico and buildings lining the other side of the canal on both sides, and strapwork corners, plate 14 from "Variæ Architecturæ Formae"

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior with a Canopy Bed with Mars and Minerva Flanking a Vase on the Headboard, from Second Liure Dappartements, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ain't I Some, after Vernet

Robert A. Clarke

1843–1854 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Harper's Ferry, Virginia (from the Potomac Side)

Currier & Ives (d. 1907)

1857–60 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Blood Will Tell

Currier & Ives (d. 1907)

1879 · Hand-colored lithograph with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Draw Poker--Laying for 'em Sharp: "See you, and go three better"

Currier & Ives (d. 1907)

1886 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sprite (Front and side views, for Midway Gardens, Chicago)

Alfonso Iannelli (d. 1965)

1914 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Fiberglass Reinforced Plastic Chair, for 'There's a Science to Seating' in the Journal 'Modern Plastics'

Robert Gruen (d. 1999)

ca. 1948–1960 · graphite, white pencil and white gouache

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.