
Pendant of Saint Anthony of Padua
Kongo artist
18th century · Ivory (hippopotamus incisor)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
302 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Pendant of Saint Anthony of Padua
Kongo artist
18th century · Ivory (hippopotamus incisor)
Cleared · Public Domain
live
New York from the Steeple of St. Paul's Church, Looking East, South, and West
Henry A. Papprill (d. 1896)
1849 · Color aquatint and etching; second state of three
Cleared · Public Domain
live
Pendant with Saint Anthony of Padua
Kongo artist
16th–19th century · Partially hollow cast brass
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of New York (from the Atlantic Neptune)
Joseph Frederick Wallet Des Barres (d. 1824)
1777 · Aquatint; proof before letters
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broad-Way, New York
Isidore-Laurent Deroy (d. 1886)
1850 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the City of New York from Brooklyn Heights, in 1798 by Monsieur C. B. de Julien de St. Memin with a Pantograph Invented by Himself
Charles Balthazar Julien Févret de Saint-Mémin (d. 1852)
ca. 1850 · Engraving; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Picturesque America, or the Land We Live In, A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes...with Illustrations on Steel and Wood by Eminent American Artists
William Cullen Bryant (d. 1878)
1872 · Illustrations: steel engraving and wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Alphonsus Church, New York, South Fifth Avenue near Canal
Francis G. Himpler (d. 1916)
1872 · Lithograph with tint stone
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.