Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
528 ms. The Metropolitan Museum of Art, Collection API (Open Access)
2174 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 621 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Andrew's From the West
John Clerk of Eldin (d. 1812)
1770–82 · Etching; only state
In copyright
live
Saint Andrew
Master of Elsloo
c. 1515–20 · Sculpture, oak with traces of paint
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. John's Church
Thomas Daniell (d. 1840)
1788 · Hand-colored aquatint
In copyright
live
Martyrdom of Saint Andrew
Guido Reni (d. 1642)
1600s · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Thomas's Church, Broadway, New York (New York Mirror)
Alexander Jackson Davis (d. 1892)
1829 · Engraving
In copyright
live
The Risen Christ Between Saints Andrew and Longinus
Andrea Mantegna (d. 1506)
early 1470s · Print, engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. George's Church, New York
John B. Forrest (d. 1870)
ca. 1844 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Bernard's Church, West 14th Street, New York City
The Graphic Company (d. 1900)
ca. 1875 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Enoch's Church, Glosgow
Sir David Young Cameron (d. 1945)
1895 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Apse, St. Enoch's Church, Glasgow
Sir David Young Cameron (d. 1945)
1895 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Church of St. James, James Street, New York
Eckstein & Porr (d. 1900)
1870–1900 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Church of St. Mary-Le-Strand
Joseph Pennell (d. 1926)
1906 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.