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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    406 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    342 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "St. Cecilia on Clouds Upheld by Angels"9 records

Institutions answered newest-first by record, interleaved

Spectacled Bear Bottle by an unrecorded maker, The Metropolitan Museum of Art

Spectacled Bear Bottle

Unrecorded maker

5th–7th century · Ceramic, slip

Cleared · Public Domain

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The MetSimilar
St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

Anonymous, Italian, 16th century (d. 1600)

after 1518 · Engraving

Cleared · Public Domain

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The MetSimilar
St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano by Agostino Veneziano (Agostino dei Musi), The Metropolitan Museum of Art

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano

Agostino Veneziano (Agostino dei Musi) (d. 1536)

ca. 1518–20 · Engraving

Cleared · Public Domain

live
The MetSimilar
St. Cecilia, Playing the Organ by Gerrit Pietersz. Sweelink, The Metropolitan Museum of Art

St. Cecilia, Playing the Organ

Gerrit Pietersz. Sweelink (d. 1612)

1593 · Etching; second state of two

Cleared · Public Domain

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The MetSimilar
Faith, Hope and Charity by Gerrit Pietersz. Sweelink, The Metropolitan Museum of Art

Faith, Hope and Charity

Gerrit Pietersz. Sweelink (d. 1612)

ca. 1593 · Etching; unrecorded proof before the first state with additions in pen and brown ink

Cleared · Public Domain

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The MetSimilar
St. Cecilia on Clouds Upheld by Angels by Peter Berchet, The Metropolitan Museum of Art

St. Cecilia on Clouds Upheld by Angels

Peter Berchet (d. 1720)

1696 · Engraving

Cleared · Public Domain

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The MetSimilar
Chamber Organ by Unknown, The Metropolitan Museum of Art

Chamber Organ

Unknown

18th century · Wood, various materials

Cleared · Public Domain

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The MetSimilar
Saint Barbara by Unknown, The Metropolitan Museum of Art

Saint Barbara

Unknown

last quarter 18th century · Oil on canvas

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dying people imploring a saint kneeling on a cloud accompanied by angels, plate 27 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)

Giovanni Battista Buratto (d. 1793)

1764 · Etching with red and black ink

In copyright

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The MetSimilar

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