The Holy Family Appearing to St. Francis, St. Augustine, and St. Roch
Charles Joseph Natoire (d. 1777)
18th century · Pen and brown ink, brush and brown wash, heightened with white over black chalk.
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
585 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 271 matching records exist across the two collections.
Results for "St. Charles Street and St. Charles Hotel"12 records
Institutions answered newest-first by record, interleaved
Arthur St. Clair
Charles Willson Peale (d. 1827)
1780 · Watercolor on ivory
Cleared · Public Domain
liveThe MetSimilar
St. Andrews Town Hall
Sir Charles Barry (d. 1860)
1810–60 · Brush and gray wash over pen and ink
Cleared · Public Domain
liveThe MetSimilar
Altar Flanked by St. Louis and St. Theresa
Emile-Charles Wattier (d. 1868)
mid-19th century · Watercolor
Cleared · Public Domain
liveThe MetSimilar
St. James's Street
James McNeill Whistler (d. 1903)
1878 · Etching and drypoint, printed in black ink on ivory laid paper; fourth state of four (Glasgow)
Cleared · Public Domain
liveThe MetSimilar
St. James's Street, June 1878
James McNeill Whistler (d. 1903)
July 2, 1878 · Lithographic reproduction of etching
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Stephens Fair
Charles Williams (d. 1850)
February 8, 1808 · Etching, hand colored
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Gervais, Paris
Charles Adams Platt (d. 1933)
1887 · Etching; trial proof b
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Paul's Church
Charles Frederick Mielatz (d. 1919)
1906 · Etching, printed in brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Bartholomew's Church
Charles Frederick Mielatz (d. 1919)
1909 · Etching, printed in color
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Thoman Church
Charles Frederick Mielatz (d. 1919)
1913 · Etching, first state, no.7
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Charles Street and St. Charles Hotel, New Orleans, LA.
Unrecorded maker
1900s–1930s · Photomechanical print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.