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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    374 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 344 matching records exist across the two collections.

Results for "St. Gervais, Paris"12 records

Institutions answered newest-first by record, interleaved

St. Eustache, Paris by David Cox, The Metropolitan Museum of Art

St. Eustache, Paris

David Cox (d. 1859)

1829 · Watercolor and graphite

Cleared · Public Domain

live
The MetSimilar
St. Sulpice, Paris by Armand-Hippolyte-Louis Fizeau, The Metropolitan Museum of Art

St. Sulpice, Paris

Armand-Hippolyte-Louis Fizeau (d. 1896)

ca. 1841 · Photogravure

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cemetary of St. Gervais, Auvergne, plate 38 (Cimitière de Saint-Gervais, Auvergne, plate 38)

James Duffield Harding (d. 1863)

1829 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Severin, Paris

Thomas Shotter Boys (d. 1874)

1839 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Gervais, Paris

Charles Adams Platt (d. 1933)

1887 · Etching; trial proof b

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Michel Square, Paris

Jacques Beltrand (d. 1977)

1903 · Color woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saint Gervais, Rue de Barres

Sir David Young Cameron (d. 1945)

1904 · Etching; only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Merri

Sir David Young Cameron (d. 1945)

1905 · Etching and drypoint; fourth state of five

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Laurent, Paris

Unknown

1850s–1910s · Albumen silver prints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tour St. Jacques, Paris

B. J. O. Nordfeldt (d. 1955)

ca. 1900–14 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ile St. Louis, Paris

Antonio Carbonati (d. 1956)

1920 · Etching and drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Cloud near Paris

Eugène Atget (d. 1927)

1923 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.