
St. Eustache, Paris
David Cox (d. 1859)
1829 · Watercolor and graphite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
374 ms. The Metropolitan Museum of Art, Collection API (Open Access)
314 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 344 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

St. Eustache, Paris
David Cox (d. 1859)
1829 · Watercolor and graphite
Cleared · Public Domain
live
St. Sulpice, Paris
Armand-Hippolyte-Louis Fizeau (d. 1896)
ca. 1841 · Photogravure
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cemetary of St. Gervais, Auvergne, plate 38 (Cimitière de Saint-Gervais, Auvergne, plate 38)
James Duffield Harding (d. 1863)
1829 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Severin, Paris
Thomas Shotter Boys (d. 1874)
1839 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Gervais, Paris
Charles Adams Platt (d. 1933)
1887 · Etching; trial proof b
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Michel Square, Paris
Jacques Beltrand (d. 1977)
1903 · Color woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint Gervais, Rue de Barres
Sir David Young Cameron (d. 1945)
1904 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Merri
Sir David Young Cameron (d. 1945)
1905 · Etching and drypoint; fourth state of five
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Laurent, Paris
Unknown
1850s–1910s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tour St. Jacques, Paris
B. J. O. Nordfeldt (d. 1955)
ca. 1900–14 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ile St. Louis, Paris
Antonio Carbonati (d. 1956)
1920 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Cloud near Paris
Eugène Atget (d. 1927)
1923 · Albumen silver print from glass negative
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.