
Saint John the Evangelist
Giovanni de' Vecchi (d. 1615)
1598–99 · Pen and dark brown ink, extensively highlighted with white, over black chalk, on beige paper; squared in black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
269 ms. The Metropolitan Museum of Art, Collection API (Open Access)
290 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 46 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Saint John the Evangelist
Giovanni de' Vecchi (d. 1615)
1598–99 · Pen and dark brown ink, extensively highlighted with white, over black chalk, on beige paper; squared in black chalk
Cleared · Public Domain
live
St. John the Evangelist
Capodimonte Porcelain Manufactory (d. 1759)
ca. 1744 · Soft-paste porcelain
Cleared · Public Domain
live
St. John the Evangelist
John Flaxman (d. 1826)
ca. 1811 · Brush and brown wash over graphite
Cleared · Public Domain
live![[Copy of the Painting "St. John the Evangelist" by Domenichino] by John Jabez Edwin Mayall, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-18191-033.jpg)
[Copy of the Painting "St. John the Evangelist" by Domenichino]
John Jabez Edwin Mayall (d. 1901)
1846–52 · Daguerreotype
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Peter and St. John the Evangelist
Niccolò Vicentino (d. 1550)
ca. 1540–50 · Chiaroscuro woodcut from three blocks in orange
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Peter and St. John the Evangelist
Niccolò Vicentino (d. 1550)
ca. 1540–50 · Chiaroscuro woodcut from three blocks in green
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. John the Evangelist
Wenceslaus Hollar (d. 1677)
1650 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. John the Evangelist
John B. Skippe (d. 1812)
1781 · Chiaroscuro woodcut from three blocks in brown
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. John the Evangelist, Holding a Chalice
John B. Skippe (d. 1812)
1782 · Chiaroscuro woodcut from four blocks in green
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. John the Evangelist, Sitting on Large Eagle
John B. Skippe (d. 1812)
1783 · Chiaroscuro woodcut from four blocks in brown and green
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. John the Evangelist Reading
Richard Dalton (d. 1791)
1764 · Etching, crayon manner, printed in red ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. John the Evangelist, Writing
Francesco Bartolozzi (d. 1815)
1792–98 · Etching, printed in brown ink; second state of two (De Vesme & Calabi)
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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