The Last Supper
Ugolino da Siena (Ugolino di Nerio) (d. 1327)
ca. 1325 · Tempera and gold on wood
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
272 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
332 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Results for "St. Judas Thaddaeus, from "Christ and th"11 records
Institutions answered newest-first by record, interleaved
Judas Thaddaeus, from Christ and the Apostles
Jacob Cornelisz van Oostsanen (d. 1533)
1514 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
St. Judas Thaddaeus, from "Christ and the Apostles"
Hans Baldung (called Hans Baldung Grien) (d. 1545)
1519 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
St. Judas Thaddaeus, from "Christ, the Twelve Apostles and St. Paul"
Lambert Suavius (d. 1576)
1525–76 · Engraving
Cleared · Public Domain
liveThe MetSimilar
St. Jude Thaddaeus, from "Christ, the Apostles and St. Paul with the Creed"
Hendrick Goltzius (d. 1617)
ca. 1589 · Engraving
Cleared · Public Domain
liveThe MetSimilar
St. Jude Thaddeus, from "Christ, the Apostles and St. Paul with the Creed"
Hendrick Goltzius (d. 1617)
ca. 1589 · Engraving
Cleared · Public Domain
liveThe MetSimilar
St. Judas Thaddeus, from "Christ, Mary, and the Apostles"
Antonio Tempesta (d. 1630)
late 16th century · Etching; first state of two (Bartsch)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Judas Thadeus, from the series of Christ, the Virgin, John the Baptist and the Apostles, fifteen subjects on five plates
Agostino Carracci (d. 1602)
1583 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 142: Saint Judas Thaddeus, facing right and holding a saw in his right hand, from 'Christ, the Virgin, John the Baptist, and the Twelve Apostles'
Agostino Carracci (d. 1602)
1583 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Judas Thaddaeus, from "Christ, the Apostles, and Saint Paul"
Zacharias Dolendo (d. 1604)
1601 · Engraving; first state of two (New Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Judas Thaddaeus, from "Christ, the Apostles, and Saint Paul"
Zacharias Dolendo (d. 1604)
1601 · Engraving; first state of two (New Hollstein)
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.