Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    498 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 59 matching records exist across the two collections.

Results for "St. Judas Thaddeus, from "Christ, Mary,"12 records

Institutions answered newest-first by record, interleaved

St. Judas Thaddaeus, from "Christ and the Apostles" by Hans Baldung (called Hans Baldung Grien), The Metropolitan Museum of Art

St. Judas Thaddaeus, from "Christ and the Apostles"

Hans Baldung (called Hans Baldung Grien) (d. 1545)

1519 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Judas kissing Christ surrounded by soldiers; St Peter attacking Malchus in foreground, from "The Passion of Christ", after Dürer by Marcantonio Raimondi, The Metropolitan Museum of Art

Judas kissing Christ surrounded by soldiers; St Peter attacking Malchus in foreground, from "The Passion of Christ", after Dürer

Marcantonio Raimondi (d. 1534)

ca. 1500–34 · Engraving; third state of three

Cleared · Public Domain

live
The MetSimilar
St. Judas Thaddaeus, from "Christ, the Twelve Apostles and St. Paul" by Lambert Suavius, The Metropolitan Museum of Art

St. Judas Thaddaeus, from "Christ, the Twelve Apostles and St. Paul"

Lambert Suavius (d. 1576)

1525–76 · Engraving

Cleared · Public Domain

live
The MetSimilar
St. Jude Thaddeus, from "Christ, the Apostles and St. Paul with the Creed" by Hendrick Goltzius, The Metropolitan Museum of Art

St. Jude Thaddeus, from "Christ, the Apostles and St. Paul with the Creed"

Hendrick Goltzius (d. 1617)

ca. 1589 · Engraving

Cleared · Public Domain

live
The MetSimilar
St. Andrew, from "Christ, Mary and the Apostles" by Antonio Tempesta, The Metropolitan Museum of Art

St. Andrew, from "Christ, Mary and the Apostles"

Antonio Tempesta (d. 1630)

ca. 1590–1610 · Etching; first state of two (Bartsch)

Cleared · Public Domain

live
The MetSimilar
St. Bartholomew, from "Christ, Mary, and the Apostles" by Antonio Tempesta, The Metropolitan Museum of Art

St. Bartholomew, from "Christ, Mary, and the Apostles"

Antonio Tempesta (d. 1630)

ca. 1590–1610 · Etching; first state of two (Bartsch)

Cleared · Public Domain

live
The MetSimilar
St. Matthew, from "Christ, Mary, and the Apostles" by Antonio Tempesta, The Metropolitan Museum of Art

St. Matthew, from "Christ, Mary, and the Apostles"

Antonio Tempesta (d. 1630)

ca. 1590–1610 · Etching; first state of two (Bartsch)

Cleared · Public Domain

live
The MetSimilar
St. Matthias, from "Christ, Mary, and the Apostles" by Antonio Tempesta, The Metropolitan Museum of Art

St. Matthias, from "Christ, Mary, and the Apostles"

Antonio Tempesta (d. 1630)

ca. 1590–1610 · Etching

Cleared · Public Domain

live
The MetSimilar
St. Philip, from "Christ, Mary and the Apostles" by Antonio Tempesta, The Metropolitan Museum of Art

St. Philip, from "Christ, Mary and the Apostles"

Antonio Tempesta (d. 1630)

ca. 1590–1610 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
St. Simon, from "Christ, Mary, and the Apostles" by Antonio Tempesta, The Metropolitan Museum of Art

St. Simon, from "Christ, Mary, and the Apostles"

Antonio Tempesta (d. 1630)

ca. 1590–1610 · Etching; first state of two (Bartsch)

Cleared · Public Domain

live
The MetSimilar
St. Judas Thaddeus, from "Christ, Mary, and the Apostles" by Antonio Tempesta, The Metropolitan Museum of Art

St. Judas Thaddeus, from "Christ, Mary, and the Apostles"

Antonio Tempesta (d. 1630)

late 16th century · Etching; first state of two (Bartsch)

Cleared · Public Domain

live
The MetSimilar
St. Thomas, from "Christ, Mary and the Apostles" by Antonio Tempesta, The Metropolitan Museum of Art

St. Thomas, from "Christ, Mary and the Apostles"

Antonio Tempesta (d. 1630)

late 16th century · Etching

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.